To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Q&A: Imagineer Systems’ Ross Shain on Mocha VR a
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http://www.studiodaily.com/2017/04/qa-imagineer-sy...
The Oscar-winning planar-tracking technology developed by Imagineer Systems has made Mocha Pro a workhorse for tracking and compositing tasks, including image-stabilization and object removal. The software’s utility has only grown along with the capabilities of standard desktop computing hardware. When stereo 3D conversions became a new, labor-intensive factor in blockbuster film releases, Mocha was optimized […] The post Q&A: Imagineer Systems’ Ross Shain on Mocha VR and the Evolutio...
Full Throttle (1995)
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http://feedproxy.google.com/~r/artofthetitle_rss/~...
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Sony claims 10-year life span for new SSD
April 12, 2017, 08:02 AM
http://www.redsharknews.com/production/item/4491-s...
With data accumulation advancing all the time, reliable and long lasting storage options that don’t require encasing in kryptonite are an essential part of the armoury. Enter Sony with a new solid state disc unit claimed to last a decade for the average user. SonySSDSVGS48SVGS96
Autodesk ships 3ds Max 2018
April 12, 2017, 08:01 AM
http://www.cgchannel.com/2017/04/autodesk-ships-3d...
Autodesk has released 3ds Max 2018, the latest update to its 3D modelling and animation software.
Frame.io 2 Arrives with Tons of New Features
April 12, 2017, 08:01 AM
https://www.cinema5d.com/frame-io-2-arrives-with-t...
The folks behind the popular online video collaboration tool have just released Frame.io 2. This new version packs over 100 new features and a completely revamped and streamlined interface. Let’s dive into the changes and enhancements!
GridGuide For After Effects
April 12, 2017, 08:01 AM
http://motionworks.net/gridguide-for-after-effects...
Mamoworld has released a handy, new extension which adds much needed grid and guide-snapping functionality to After Effects. Learn more here.
Video Editing Quick Tip: Create a Moving Object Tr
April 12, 2017, 05:51 AM
https://www.premiumbeat.com/blog/create-moving-obj...
Learn how to create a simple moving object transition in Premiere Pro with these four easy steps.
Anita Remón (SAE) y Alejandro Rath recibieron el
April 11, 2017, 06:42 PM
http://saeditores.org/Novedades/Anita-Remon-SAE-y-...
En el marco del 7º Festival Internacional de Cine Social de Concordia, Anita Remón (SAE) recibió el premio al Mejor Montaje junto a Alejandro Rath por su trabajo en la edición del cortometraje Diamante Mandarín, dirigido por Juan Martín Hsu.
When someone asks me how my show is going
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Inside the World of Assistant Editors
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https://www.filmeditingpro.com/inside-the-world-of...
Ever wonder what it’s like to be an assistant editor on huge movies like Mission Impossible: Rogue Nation, Rogue One: A Star Wars Story and Kingsman: The Golden Circle?
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