To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Lisa Churgin, ACE, on Cutting The Old Man & the Gu
October 1, 2018, 04:13 PM
http://www.studiodaily.com/2018/10/lisa-churgin-ac...
Director David Lowery’s The Old Man & the Gun, allegedly the final film starring Robert Redford, is a master class in point and counterpoint. Co-stars Sissy Spacek and Casey Affleck, a Lowery regular, sweetly saunter in a kind of Texas shuffle around Redford’s charming serial bank robber, Forrest Tucker, gently tipping their hats while in […] The post Lisa Churgin, ACE, on Cutting The Old Man & the Gun appeared first on Studio Daily.
Interview with Veteran Sound Designer Seph Lawrenc
October 1, 2018, 04:13 PM
http://designingsound.org/2018/10/01/interview-wit...
In this interview, Philip Mantoine from theproaudiofiles.com had a chance to pick the brain of audio veteran Seph Lawrence. Lawrence has an impressive career. He has been Creative Director, Sound Supervisor and Sound Designer working for companies like Blizzard Entertainment, Raven Software and most recently Torrential Audio – a company specializing in recording and designing […]
Monthly Theme: LoFi 2018
October 1, 2018, 04:12 PM
http://designingsound.org/2018/10/01/monthly-theme...
“LoFi” is a concept I am rather intrigued by. “LoFi” to me can mean creative, aesthetic, and technical limitations to a project. It can also mean “old”, in terms of resolution, fidelity, and durability. There is a bit of resurgence (or did it ever really go away) of using old media like vinyl, cassette, and […]
Looking for someone to approve something
October 1, 2018, 04:12 PM
http://renderplease.tumblr.com/post/178637881615
Incolor Uses DaVinci Resolve Advanced Panel
October 1, 2018, 09:05 AM
https://www.aotg.com/incolor-uses-davinci-resolve-advanced-panel/
Blackmagic Design announced today that Japanese post house Incolor installed DaVinci Resolve Advanced Panel and DaVinci Resolve Studio. Incolor, founded in 2015 by prominent photographer Shoji Uchida, specializes in remote grading by foreign colorists for commercials and music videos.
#blackmagic design#davinci resolve studio#davinci resolve advanced panelVandmand, A Sound Art Installation
October 1, 2018, 09:03 AM
http://designingsound.org/2018/10/01/vandmand-a-so...
Dutch artist Mariska de Groot creates totally unique sound art installations with analog light-to-sound instruments. For “Vandmand”, she collaborated with Dutch sound artist Lars Kynde, and they composed a sound and light piece for the Elsinore Girls Marching Band in Copenhagen, with choreography.
PowerHouse VFX Rises to Top of NYC's VFX Industry
September 30, 2018, 06:32 AM
https://www.nycppnews.com/powerhouse-vfx-rises-to-...
Buoyed by a string of high-profile film and television projects, PowerHouse VFX has quickly solidified its place as an industry leader on New York’s VFX scene. Founded last year by Emmy Award-winning visual effects supervisor Ed Mendez, executive producer Bob Lowery and chief engineer Eric Zeller, the studio is adding significant talent in all departments as it gears up for current and future assignments, notably the M. Night Shyamalan film Glass, where it’s serving as sole visual effects pr...
VFX and Television
September 30, 2018, 06:32 AM
http://www.cgw.com/Publications/CGW/2018/Volume-41...
Networks, cable television, and streaming programming platforms are all offering a rich pool of visual effects opportunities for studios across the globe. Whether it's women transformed into mermaids, a hit man turned hero who gets help from a CG sidekick, the unraveling of decades-old mysteries and secrets in a small German town, a retired superhero who recharges his powers to aid his community, or another optimistic superhero in a blue tick suit dedicated to saving his city, studios around the...
How Final Cut Pro Went OFF THE TRACKS
September 29, 2018, 02:19 PM
https://www.aotg.com/how-final-cut-pro-went-off-the-tracks/
Final Cut Pro X has a secret weapon that is shared by 2.5 million users.
New Text Support Comes to Mari With Extension Pack
September 29, 2018, 06:48 AM
https://lesterbanks.com/2018/09/mari-extension-pac...
Jens Kafitz Shows Off Working With Text in Mari Through a New Type Tool that Comes With Mari Extension Pack 4R1 and 4R2. Extension Pack collects scripts and tools for Mari artists with workflow-enhancing and
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