It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 20, 2015, 01:50 PM
https://www.aotg.com/add-sketch-style-drawing-over-stock-footage/
Add sketch style drawing over stock footage
March 20, 2015, 04:51 AM
http://www.comp-fu.com/2015/03/trolling-internatio...
This is the story of a great hoax no matter what the true story is: after the German media has made a fuss about a 2013 video of the Greek treasury secretary Varoufakis flipping the finger, a small TV show has claimed that the video is fake and that they have doctored it (enable English subtitles). At the end of my post I’ll demonstrate why I think they are making this up.
March 19, 2015, 12:34 PM
https://www.aotg.com/cgi-vfx-showreels-hd-iron-man3-sound-design-sfx/
Check out this awesome showreel demonstrating a completely recreated Sound Design, SFX for Iron Man 3 by the talented Jaroslav Beck! He also composed the new...
March 19, 2015, 04:42 AM
http://www.creativebloq.com/illustration/movie-leg...
If you wanted to bring a skeleton army to life or have a Greek colossus stomp your heroes into mush in the days before digital, you called the one man who could make it happen: Ray Harryhausen.
March 18, 2015, 12:36 PM
https://www.aotg.com/quick-tip-keyindex-after-effects-expression/
A neat way of setting it up once and recalling at anytime, whatever that means, Really its awesome little expression that you could be using for lots of cool things in After Effects.
March 18, 2015, 12:35 PM
http://www.premiumbeat.com/blog/recording-foley-an...
While using stock sound effects can yield great results and save crucial time, accurately and convincingly depicting the visuals may require foley work. The post Recording Foley and Sound Effects: The Fundamentals appeared first on The Beat: A Blog by PremiumBeat.
March 18, 2015, 12:33 PM
http://www.artofvfx.com/?p=11390
In 2013, Chris Harvey explained to us the work of Image Engine on ZERO DARK THIRTY. He then worked on FAST & FURIOUS 6 and R.I.P.D. Today, he talks about his work on CHAPPIE.
March 18, 2015, 12:32 PM
https://www.aotg.com/new-york-ves-awards-celebration-highlights/
February 27, 2015 from the Green Building in Brooklyn, New York. Featuring the presentation of the first ever VES Empire Award to Randy Balsmeyer.
March 17, 2015, 06:50 PM
http://www.borisfx.com/blog/2015/03/17/webinar-mot...
Date: Thursday, March 26th Time: 1pm EST/10am PST/6pm GMT (World Time Converter) Join Mikey Borup, After Effects certified expert and popular YouTube motion graphics trainer, as he shows After Effects users how to create a slick title sequence inspired by Hitman: … Continue reading →
March 17, 2015, 09:25 AM
http://cinefex.com/blog/blade-runner-returns/
In the autumn of 1982, I seated myself in a darkened cinema and waited for Ridley Scott to transport me 37 years into the future. I was seventeen years old, a card-carrying movie geek, and almost beside myself with excitement. Would the film I’d been anticipating all year live up to my high expectations?
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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