It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 2, 2017, 01:51 PM
http://edaeditores.org/en-primera-persona-mi-exper...
Por Sofía Mellino (EDA) Barrie Vince es un montajista británico nacido en 1933 en Londres, Reino Unido. Editor de más de treinta y siete películas y documentales tanto en formato fílmico como digital, ganador de un BAFTA a mejor edición en televisión por su trabajo en “Hillsborough” en 1996. Ha tenido la oportunidad de trabajar […]
March 2, 2017, 01:50 PM
http://postperspective.com/timecodes-new-firmware-...
Timecode Systems, which makes wireless technologies for sharing timecode and metadata, has launched a firmware upgrade that enhances the accuracy of its wireless genlock. Promising sub-line-accurate synchronization, the system allows Timecode Systems products to stay locked in sync more accurately, setting the scene for development of a wireless sensor sync solution able to meet the requirements of VR/AR and motion capture. Continue reading → March 2, 2017 The post Timecode’s new firm...
March 2, 2017, 10:17 AM
http://www.redsharknews.com/business/item/4398-red...
We're planning something really exciting. It's an evening with RED, Audio Network and Lightworks: three great companies all under the umbrella of ‘RedShark Live’, on March 9, New York. There will be pizza. REDAudio NetworkLightworksRedShark Live
March 2, 2017, 09:07 AM
http://jonnyelwyn.co.uk/film-and-video-editing/tom...
A round up of interviews and videos with editor Tom Cross on his award winning work on La La Land and Whiplash...
#editing#la la land#tom crossMarch 1, 2017, 05:47 PM
http://www.youtube.com/watch?v=rVdYeT24dSw
Are you prepared to reach your greatest potential this year? Join us at Avid Connect 2017, where media professionals come together and prepare for the year ahead. Push your own limits and the limits of our profession. Test new ideas and strengthen skills. Meet industry leaders and network with collaborators. Use the power of your participation to expand the possibilities for ourselves and our industry. Be ready to make your next big move. Avid Connect is the greatest gathering of me...
March 1, 2017, 05:47 PM
http://renderplease.com/post/157867691845
Ideally:Realistically:
March 1, 2017, 05:47 PM
http://edaeditores.org/comunicado-anuncio-del-plan...
Compartimos el video y la declaración de la Multisectorial Audiovisual en el anuncio de su Plan de Acción Federal Declaración Conferencia de prensa 22/02/2017 La grave situación que atraviesa todo el sector de la producción de contenidos audiovisuales de origen nacional, agravada por el constante ingreso de producciones extranjeras en clara competencia dispar, ya que […]
March 1, 2017, 05:45 PM
https://filmschoolrejects.com/the-pure-cinema-of-a...
When filmmakers and other folks in the know make mention of “pure cinema,” they are referring to films that rely heavily on their imagery for storytelling. Cinema is, after all, a visual medium, not just a place for dialogue to come alive, and as such to distinguish itself from other storytelling media cinema must take advantage of its particular facets. This might seem obvious, but scan the list of films released, say, last year, and you’ll come across far more that feel like they’re ju...
March 1, 2017, 10:00 AM
http://www.fcp.co/final-cut-pro/articles/1936-edit...
We welcome Einar Johnson from Pixel Bokeh Productions who very kindly let us publish his story on how his company edited a highlight reel during the course of a corporate conference. Of course, FCPX was one of the stars!
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.