It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 27, 2021, 10:59 AM
https://lappg.com/2021/12/23/december-2021-photos/
What a great way to end the year, with Mary Plummer and a look at The Power of Farlight in DaVinci Resolve 17! Mary brought us up to speed with the latest cool features in this evolving program! She also took time to answer our questions and remind us that most of what she showed … December 2021 photos Read More »
December 27, 2021, 10:58 AM
https://tonebenderspodcast.com/185-juliana-henao-m...
Tonebenders Podcast · 185 – Juliana Henao Mesa – Listen To Us In late 2021 young filmmaker and audio person Juliana Henao Mesa released a…
December 27, 2021, 10:58 AM
https://www.studiobinder.com/?p=82363
The cinematographer, editor, and director work together to create a seamless experience within watching a film. There are certain cuts that can jar an audience out of this experience and make them aware they are watching a movie. One of these cuts is referred to as a jump cut. While many advise against using jump cuts in film, there are ways you can implement them effectively to tell the best story possible. Watch: What is a Jump Cut — 5 Techniques Explained Subscribe for more filmmaking vide...
December 27, 2021, 10:58 AM
https://www.artofvfx.com/last-night-in-soho-vfx-br...
Let’s have a look at the impressive invisible work made by DNEG on the movie, Last Night in Soho...
December 23, 2021, 12:21 PM
https://cceditors.ca/2021/12/01/guide-for-document...
Download the guide here The post Guide for Documentary Edit Schedules appeared first on Canadian Cinema Editors / Les Monteurs et Monteuses de cinéma canadien.
December 23, 2021, 12:20 PM
http://www.davidbordwell.net/blog/2021/12/22/an-up...
Contempt (Le Mépris, 1963). DB here: After fifteen years of fairly steady blogging, we suspended putting up new entries in early October. We were reluctant to go into explanations of a fluid situation, but now things are stable enough for us to set out what happened. I had surgery for oral cancer in July and […]
December 23, 2021, 12:20 PM
https://www.premiumbeat.com/blog/finding-inspirati...
Filmmakers can draw inspiration from a number of sources. Check out these recommendations to broaden your horizons.
December 21, 2021, 12:57 PM
https://www.blackmagicdesign.com/media/release/202...
Blackmagic Design today announced the Ion Network’s new Christmas film, Christmas Down Under, was shot using Blackmagic Design’s URSA Mini Pro 4.6K G2. The film’s editing and color correction was completed using DaVinci Resolve Studio by Tasmania’s South Sky pictures during the height of the Covid quarantine.
#blackmagic design#davinci resolve studio#ursa mini pro 4.6k g2December 21, 2021, 12:56 PM
https://www.blackmagicdesign.com/media/release/202...
Blackmagic Design today announced that DaVinci Resolve Studio was used for remote post production, including editing, grading, visual effects (VFX) and audio post, on the Argentinian film “Máquina para ver el alma” (“Machine for the Aura”). The film was also shot with a Pocket Cinema Camera 4K digital film camera in Blackmagic RAW.
#blackmagic design#davinci resolve studio#blackmagic raw#pocket cinema camera 4kDecember 21, 2021, 08:37 AM
https://www.premiumbeat.com/blog/mental-health-in-...
Editor, colorist, and founder of The Finish Line, Zeb Chadfield shares his tips for putting your mental health first.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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