To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Cinefex Vault #13 – 50 First Dates
August 15, 2018, 12:28 PM
http://cinefex.com/blog/50_first_dates/
While it is a popular maxim that ‘Dying is easy; comedy is hard,’ visual effects supervisor Sheena Duggal has had her share of films containing both. Death and destruction have included Marvel’s Agent Carter television series, Ridley Scott’s Body of Lies and The Hunger Games; comedies have included the first Sex and the City feature, Christmas with the Kranks, and the Adam Sandler vehicles Big Daddy and 50 First Dates.
Digital Production Buzz – August 16, 2018
August 15, 2018, 05:23 AM
https://www.digitalproductionbuzz.com/2018/08/digi...
We are deep into the summer months but IBC and children going back to school is just around the corner. Tonight we talk with some industry leaders about what is coming in the Fall and where the industry is going right now. Join host Larry Jordan as he talks with Mark Spencer, Philip Hodgetts, Ned Soltz, Michael Kammes and James DeRuvo. An Inside Look at Creating Plug-ins Looking Back - Looking Ahead Camera Trends and Technology Technology, Power and Efficiency The Weekly DoddleNEWS U...
Pablo Barbieri (SAE-EDA) recibió el Cóndor de Pl
August 15, 2018, 05:23 AM
http://saeditores.org/Novedades/Pablo-Barbieri-SAE...
En una ceremonia realizada el pasado lunes 13 de agosto en el Centro Cultural Kirchner, la Asociación de Cronistas Cinematográficos de la Argentina (ACCA) entregó los premios Cóndor de Plata a la producción cinematográfica de 2017.El Cóndor al Mejor Montaje fue para Pablo Barbieri (SAE - EDA) por la edición de El otro hermano (Adrián Caetano, 2017).
Editing BLACKkKLANSMAN
August 14, 2018, 12:32 PM
https://nofilmschool.com/2018/08-barry-alexander-b...
No matter how often they get resoaked, the blood on America's hands have never fully been washed clean, and Spike Lee's BLACKKkLANSMAN, a meta-period piece that proves the horrors of the past indiscreetly seep their way into the national horrors of the present, accentuates this to frighteningly startling effect.
DigitalFilm Tree Uses DaVinci Resolve 15 Studio
August 14, 2018, 10:46 AM
https://www.aotg.com/digitalfilm-tree-uses-davinci-resolve-15-studio/
Blackmagic Design announced today that post production facility DigitalFilm Tree (DFT) has moved its full pipeline, including editorial, color, visual effects (VFX) and delivery, into the newest release of DaVinci Resolve Studio, version 15, which was released this month.
#editing#vfx#color grading#deliveryWhen I solve a problem at work
August 14, 2018, 09:30 AM
http://renderplease.tumblr.com/post/176990784945
Making Bilby
August 14, 2018, 09:29 AM
https://www.cartoonbrew.com/shorts/dreamworks-dire...
In addition to working on feature films, several animation studios have over the years dived into animated shorts, often as platforms for new directors to gain experience and also to test out new animation tools and techniques on a smaller production.
AVENGERS - INFINITY WAR: VFX Breakdown by Framesto
August 14, 2018, 09:28 AM
http://www.artofvfx.com/avengers-infinity-war-vfx-...
Don’t miss this really cool VFX Breakdown by Framestore about their work on the New York sequences for AVENGERS – INFINITY WAR...
Pixar at SIGGRAPH 2018
August 13, 2018, 04:54 AM
https://www.pixarpost.com/2018/08/pixar-at-siggrap...
Pixar has a storied history with the annual U.S. SIGGRAPH conference — it was where Pixar first wowed audiences by releasing The Adventures of André & Wally B (1984), Luxo, Jr. (1986), and many other shorts and technical presentations (including this year's experimental short, Purl). Due to the many "wow" moments, we're always excited to see what will be released.
Colorist Bob Festa on Yellowstone’s modern Weste
August 12, 2018, 04:50 PM
https://postperspective.com/colorist-bob-festa-yel...
Paramount Network’s Yellowstone, from creator, writer and director Taylor Sheridan (Sicario, Hell or High Water), is a 10-episode modern-day Western starring Kevin Costner as the patriarch of the Duttons, owners of the largest ranch in the contiguous United States. The Dutton family is in constant conflict with owners of the property surrounding their land, Continue reading → August 12, 2018 The post Colorist Bob Festa on Yellowstone’s modern Western look appeared first on Randi Alt...
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