To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
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Do you use a compressor or limiter?
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https://www.pro-tools-expert.com/home-page/2018/07...
In this extract from PureMix, Grammy award-winning mixer Andrew Scheps explains the difference between using an insert compressor, a parallel compressor and a limiter on a fuzz bass guitar track.
‘Game of Thrones,’ ‘Stranger Things,’ ‘W
August 2, 2018, 12:35 PM
https://variety.com/2018/tv/awards/emmys-2018-visu...
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Tatiana Riegel, ACE on Building an Editing Career
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https://www.youtube.com/watch?v=Ks12EmULfA0
At the 2018 IAVA Panel, the top film editors talk about how they got started in their movie editing careers. Tatiana Riegel talks about how her career choices led her to become the Oscar-nominated editor of I, Tonya. Hear from leading editors: http://www.avid.com/the-art-of-editing
Jon Gregory, ACE on Building an Editing Career
August 2, 2018, 09:53 AM
https://www.youtube.com/watch?v=FyMYewcwYYA
At the 2018 IAVA Panel, the top film editors talk about how they got started in their movie editing careers. Jon Gregory talks about how his career choices led him to become the Oscar-nominated editor of Three Billboards Outside Ebbing, Missouri. Hear from leading editors: http://www.avid.com/the-art-of-editing
postPerspective: Audio post for Netflix docu-serie
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http://designingsound.org/2018/08/02/postperspecti...
Image from postPerspective In this article, Jennifer Walden explores the work of Brent Kiser and the Unbridled Sound team on Chapman and Maclain Way’s docu-series Wild Wild Country. “The material hadn’t been maintained, and there were these weird VHS bleeds; the audio had a huge hum. Initially, we tried to clean it up a bit, but in […]
Replying all to an email by mistake
August 2, 2018, 09:53 AM
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Cosmos for Maya Updates With New Ways to Filter Re
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Martin Gunnarsson Releases a New Version of Cosmos Command Launcher for Autodesk Maya. Cosmos is a way to have complete access to and launch all of Maya’s commands by typing. Think of it as a
The sound for Ubisoft's The Crew 2
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https://www.asoundeffect.com/the-crew-2-sound/
The Crew 2 from Ubisoft features some impressive vehicle sounds, so we were curious to hear how they were made. And thankfully, Audio Lead Nathan Blais from Ubisoft and sound designer / recordist Max Lachmann from Pole Position were happy to share the details.
The Best of C4D R20 Sneak Peeks
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https://lesterbanks.com/2018/08/best-c4d-r20-sneak...
Maxon Announces Cinema 4D R20 With Node-Based Materials, MoGraph Fields, and Multi-Pass GPU Renders. Maxon announced Cinema 4D R20 that boasts some significant new features, and the internet responds with early adopters showing off some
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