It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 24, 2017, 07:41 AM
http://collider.com/oscar-nominations-2017/
At long last, the time has come: the 2017 Oscar nominations are finally here. After months of guessing and prognosticating, the members of the Academy of Motion Picture Arts & Sciences have finally weighed in with their picks for the very best of cinema in 2016, and the results are intriguing.
January 24, 2017, 07:41 AM
http://www.hollywoodreporter.com/news/oscar-nomina...
As it unveiled its nominees for the 89th Oscars on Tuesday morning, the Academy of Motion Picture Arts and Sciences took to the dance floor with the musical La La Land, showering it with 14 nominations – a record for most nominations that it shares with 1950’s All About Eve and 1997’s Titanic.
January 23, 2017, 06:09 PM
http://www.observer-reporter.com/20170123/schoonma...
The legendary editor is sitting in the Midtown Manhattan office where she cut Scorsese’s latest, his deeply felt spiritual epic about Jesuit priests in feudal Japan. Schoonmaker sits in between her monitors and those for Scorsese, added about a year ago so he could sit even closer to Schoonmaker while they worked. It makes for a jumble of screens, especially when the one devoted to Turner Classic movies is factored in. “This used to be quite a beautiful room,” Schoonmaker says with only mi...
January 23, 2017, 02:41 PM
http://www.broadcastbeat.com/editshare-presents-at...
Basingstoke, UK — January 23, 2017 — EditShare, a technology leader in intelligent shared storage and media management solutions, will present its virtual reality workflow at the sold-out “Welcome to the World of Virtual Reality” event on February 8, 2017 in Soho, London. The evening will feature experts from Alchemy VR, Rewind, The Mill and ...
January 23, 2017, 02:41 PM
http://www.studiodaily.com/2017/01/ace-to-honor-in...
American Cinema Editors is giving its Heritage Award to Lori Jane Coleman, ACE, Diana Friedberg, ACE, and William Gordean, ACE. The three editors have been instrumental in the administration of the ACE Internship program over its 20-year-plus history. Coleman has … more » The post ACE to Honor Internship Program with Three 2017 Heritage Awards appeared first on Studio Daily.
January 23, 2017, 02:40 PM
https://roosterpost.wordpress.com/2017/01/23/chris...
Chris Parkins has always demonstrated great comedic timing in his work. This time out, Chris has a little fun with Sid Lee’s latest for Subway. “Retired Couponer” features a stylish Irene Apfel lookalike who has given up the coupons in favour of the great sandwich deals at Subway. Client: Subway Agency: Sid Lee Executive Creative […]
January 23, 2017, 02:40 PM
http://renderplease.com/post/156269343325
I’m like:
January 23, 2017, 10:15 AM
http://www.fcp.co/final-cut-pro/tutorials/1921-fin...
Here at FCP.co, we are all too familiar with the advantages of a Final Cut Pro X workflow. But, as FCP X becomes more widely used throughout the production industry, we thought we’d dedicate a little space to helping those familiar with other NLEs get to grips with our favourite editing platform. We asked Chris Roberts (who’s both an Apple Certified Trainer and Adobe Certified Instructor) to help Premiere Pro editors draw parallels with FCP X.
January 23, 2017, 08:06 AM
https://www.aotg.com/stump-the-fcpx-gurus-november-2016/
On a night when Apple joined us, LACPUG had a very special panel of Final Cut Pro X Gurus. Their job was to answer all questions and to solve all problems relating to FCPX. Philip Hodgetts, Chris Fenwick, Michael Matzdorff and Charlie Austin were the Gurus. Hosted by Michael Horton.
January 23, 2017, 08:06 AM
http://www.davidbordwell.net/blog/2017/01/23/how-l...
La La Land (2016). The formal method is fundamentally simple. It’s the return to craft (masterstvo). Viktor Shkovsky, 1923 DB here: Not how it was made. We’ll get “The Making of La La Land” as a DVD bonus, and there are already behind-the-scenes promos. No, this is about how it is made. On this site, […]
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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