To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
VFX: The Saddest/Beautiful Part of Fallen Kingdom
July 11, 2018, 05:27 AM
https://vfxblog.com/2018/07/10/the-saddest-moment-...
The sight of a brachiosaurus being enveloped in an ash cloud after the volcanic eruption of Isla Nublar – as several characters and other dinosaurs leave the island by boat – was a powerful moment in J.A. Bayona’s Jurassic World: Fallen Kingdom. vfxblog asked ILM animation supervisor Jance Rubinchik about the approach to that touching scene, which turned out to be a direct reference back to the original Jurassic Park.
VFX Legion Completes FX for SUPERFLY Remake
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https://library.creativecow.net/Legion_VFX/superfl...
VFX Legion created over 100 digital effects for ‘Superfly,’ Sony’s highly anticipated remake of the iconic ‘70’s Blaxploitation film. The deadline was only five weeks away, and the visual effects for key action sequences had yet to be assigned when producer Joel Silver and Director X brought the LA studio onboard. Legion’s team was tasked with producing a complex mix of shots designed to heighten the visual impact and visceral feel of the violence in the film’s two pivotal shootout...
Interview: James Morioka on mentorship
July 10, 2018, 12:07 PM
http://designingsound.org/2018/07/10/interview-jam...
This month, with the theme being mentorship, I decided to interview my biggest mentor in film sound, James Morioka. James has worked on films such as 21 and 22 Jump Street, Fury, Spider-Man: Homecoming, and Hotel Transylvania 2 and 3. DS: This month our theme is mentorship, but before we get started with that, can […]
Daan Hendricks: Black River Sweden Field Recording
July 10, 2018, 12:07 PM
http://designingsound.org/2018/07/10/daan-hendrick...
In this blog post, field recordist Daan Hendricks shares some of the sights and sounds he captured during the Black River Sweden recording trip in April. Hear the strange calls and powerful wing flaps of beautiful capercaillies and lush active ambiences filled with black grouse, loons, bitterns, frogs, and more of the country’s fascinating wildlife. […]
Best Practices for Rigging in Cinema 4D
July 10, 2018, 12:07 PM
https://lesterbanks.com/2018/07/best-practices-rig...
Aleksey Voznesenski Provides an Overview of Best Practices for Rigging Characters in Cinema 4D. Ace5 Studios Aleksey Voznesenski often finds himself fixing rigs while working with Cinema 4D. Some of those rigs come from other
When someone says, “Well Post said...”
July 10, 2018, 12:07 PM
http://renderplease.com/post/175745445465
Deadpool 2 Graded in DaVinci Resolve Studio by EFI
July 10, 2018, 12:06 PM
http://www.broadcastbeat.com/deadpool-2-graded-in-...
Hollywood, CA – June 20, 2018 – Blackmagic Design announced today that Deadpool 2, the highly anticipated sequel in the 20th Century Fox/Marvel franchise, was colored by EFILM Senior Colorist Skip Kimball using DaVinci Resolve software. The irreverent series, starring Ryan Reynolds as a wisecracking reluctant superhero, is unique not only because of its main character, but also ...
Red Giant Debuts “Short Cuts” Youtube Series
July 10, 2018, 11:14 AM
https://www.aotg.com/red-giant-debuts-short-cuts-youtube-series/
New YouTube series from Red Giant and Premiere Gal teaches brands and digital storytellers how to bring quality to their online videos, fast; tutorials to cover transitions, logo openers, titles and much more to make videos stand out
#red giant#youtube#premiere gal#kelsey brennan#short cutsVFX Legion Completes Effects for ‘Superfly’ Re
July 10, 2018, 11:08 AM
https://www.aotg.com/vfx-legion-completes-effects-for-superfly-re-2/
Producer Joel Silver and Director X Call on the LA Studio to Tackle 100+ Shots Designed to Amp Up the Impact of the Action and Raw Violence in Sony’s Reboot of the Iconic ‘70’s Film
#vfx#cgi#digital#postproduction#movies#vfx legionAnatomy of a Scene: Deconstructing Documentaries
July 10, 2018, 09:03 AM
https://www.aotg.com/anatomy-of-a-scene-deconstructing-documentaries/
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