It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 3, 2017, 08:42 AM
http://satprnews.com/2017/01/03/maury-shessel-l-a-...
Award-winning film editor and Emmy recipient, Maury Shessel, knows how to combine the artistic and technical elements of film editing. During a recent Q&A, he shared his experiences, accomplishments, and opinions.
January 3, 2017, 04:59 AM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
“Say a prayer and kiss your heart goodbye” — Madonna ...
January 2, 2017, 12:43 PM
http://www.fcp.co/final-cut-pro/articles/1895-orga...
Benjamin Mercer, an award-winning Finnish/English editor, received cheers and loud applause from the audience at the FCP X Tour Barcelona when he explained his workflows and his editing process for an epic war-drama movie that he is currently cutting in FCPX. (Two demo videos included!)
January 2, 2017, 12:42 PM
https://www.wheretowatch.com/2017/01/oscar-watch-e...
Writer-director Kenneth Lonergan famously spent years in the editing suite trying to achieve perfection on his previous movie Margaret. He shot the film in 2005, delivered a much debated cut in 2008 and three years later watched the picture open in two theaters. Lonergan's comeback effort Manchester by the Sea represents an astonishing return to form, widely expected to land a Best Picture Oscar nomination on the strength of Casey Affleck's moving performance as a New England man haunted by his ...
January 2, 2017, 08:08 AM
http://www.fcp.co/final-cut-pro/articles/1913-fcp-...
You might have noticed a few changes around here. We have updated the website with a new look and added new functionality for the new year.
January 2, 2017, 08:05 AM
http://www.goldderby.com/article/2017/ace-eddie-aw...
The winner of the Golden Eddie from the American Cinema Editors has proven to be one of the best indicators of which film takes home the Best Picture Oscar. Nominations for the 2017 edition of these awards will be announced on Jan. 3, with the winners revealed on Jan. 27.
January 1, 2017, 05:42 PM
http://www.philiphodgetts.com/2017/01/2016-in-revi...
An exciting and wonderful year.
January 1, 2017, 05:41 PM
http://www.doddlenews.com/blogs/doddlereview-magic...
In Part One of our look at Red Giant’s Magic Bullet Suite 13, we started to break down the different effects in the package, and what exactly they do. In part 2 of my review, we’re going to finish up our breakdown, talk about the price and I’ll give my final thoughts.
January 1, 2017, 05:06 AM
https://www.aotg.com/the-versatile-use-of-central-framing/
The Versatile Use Of Central Framing
December 31, 2016, 02:54 PM
http://www.provideocoalition.com/art-cut-oscar-win...
Hughes Winborne, ACE, is an Oscar-winning editor (Crash, 2005) who has cut more than two dozen feature films including Billy Bob Thornton’s Sling Blade, The Pursuit of Happyness, Seven Pounds, and Guardians of the Galaxy. His latest film is Denzel Washington’s adaptation of August Wilson’s Pulitzer Prize-winning play, Fences. HULLFISH: Hughes, we have something in The post ART OF THE CUT with Oscar Winner Hughes Winborne on “Fences” appeared first on ProVideo Coalition.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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