To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Crafting A Handmaid's Tale
June 18, 2018, 09:14 AM
https://www.hollywoodreporter.com/behind-screen/ed...
This season's most intense television scenes had to be tenderly crafted in the editing room. Whether it was the pivotal This Is Us episode that finally revealed the death at the center of the NBC drama's story, the chilling opening moments of The Handmaid's Tale's second season or the final episode of The Looming Tower that took viewers back to 9/11, each of these scenes required a sensitive touch when cutting the footage together in order to send viewers on the right emotional journey.
Ash’s ‘Sharaab’ Music Video Uses URSA Mini P
June 18, 2018, 08:31 AM
https://www.aotg.com/ashs-sharaab-music-video-uses-ursa-mini-p/
https://www.blackmagicdesign.com/media/release/20180618-01
#blackmagic design#davinci resolve#ursa mini pro#davinci resolve mini panelOn Test: The QNAP TS-453BT3 Thunderbolt 3 Desktop
June 18, 2018, 05:39 AM
http://www.fcp.co/final-cut-pro/articles/2081-on-t...
We have reviewed a QNAP desktop shared storage NAS before on FCP.co. This time we look at the TS-453BT3 4 disk unit from QNAP with 10GigE and Thunderbolt 3.
3 años, 2 tesis, 1 vuelo
June 17, 2018, 05:16 AM
http://editorunderconstruction.blogspot.com/2018/0...
Finca San Tranquilino, 16 de junio, 2018.El miércoles ajuste los cortes del último cortometraje que edité. Acabé una etapa de vida: mis estudios en Cuba. Buenas amistades, malos amores, aislamiento, hambre, ron, cerveza, café, cigarros, risas, dolores de cabeza, diarreas, dengue, agricultores, pescadores, camas duras, gentes guapas. Pequeñas y grandes historias. Al contar historias, lo importante es el CÓMO (trabajo sensible y tenaz para capturar eso que quieres contar), y el QUÉ (id...
Get 10 4K Bark Textures for Free
June 16, 2018, 01:59 PM
https://lesterbanks.com/2018/06/get-10-4k-bark-tex...
Vladimír Mrkvica Shares 10 Free Bark Textures Complete With Six Maps Each. I really appreciate when people give back to the community in meaningful ways. Quite often I receive emails from readers informing me of
FREELANCE SURVIVAL WORKSHOP – WA
June 16, 2018, 07:00 AM
https://www.screeneditors.com.au/freelance-surviva...
Logging Real Time? Don’t Panic, Back-time!
June 15, 2018, 08:23 PM
http://www.philiphodgetts.com/2018/06/logging-real...
At Lumberjack System, we frequently get push back that it’s “too hard” to log during the shoot. If you’re manipulating a camera (reframing etc) then sure you can’t log. And if you’re holding a boom, ditto. But if you’re monitoring audio during recording, or running the interview, then it is totally possible to log during […]
Composer Kris Bowers Interview
June 15, 2018, 08:22 PM
http://www.goldderby.com/article/2018/composer-kri...
When composer Kris Bowers returned to Netflix‘s “Dear White People” for season two series creator Justin Simien had something different in mind. “He had a color palette that he decided to start using as inspiration from the beginning of the season,” Bowers reveals. The colors came from Civil War-era paintings, and “he asked me … to write a theme based on those color definitions. For instance, blue might represent confinement, and gold might represent true self.” So Bowers was on ...
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Editing The Black Lady Sketch Show
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
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Philip White on Crafting A Madea Homecoming's Music
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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