It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 6, 2016, 05:57 AM
http://www.avid.com/press-room/2016/12/avid-announ...
Media industry veterans named to key executive roles to strengthen and align customer-facing activities and drive a more customer-centric focus as the company prepares for the end of its transformation and a shift towards its growth phase in 2017...
December 6, 2016, 05:56 AM
http://nofilmschool.com/2016/12/7-cinematic-tradem...
Gripping suspense and economic storytelling are just some of the elements that made the Father of the Spaghetti Western great.
December 5, 2016, 01:29 PM
http://renderplease.com/post/154080823210
Expectation:Reality:
December 5, 2016, 10:27 AM
https://www.premiumbeat.com/blog/video-editors-chr...
Without a doubt, some people are hard to buy for. Luckily, video editors are always in need of tools and toys that complement their workflow and workspace. Here's a few to consider.
December 5, 2016, 06:18 AM
https://www.premiumbeat.com/blog/video-editors-chr...
Without a doubt, some people are hard to buy for. Luckily, video editors are always in need of tools and toys that complement their workflow and workspace. Here's a few to consider.
December 5, 2016, 06:18 AM
http://www.fcp.co/final-cut-pro/articles/1899-the-...
The FCP X TOUR is on cruise speed, traveling across Europe to showcase new ways of understanding postproduction workflows in the digital era. With free workshops, presentations, case studies, software and hardware demos, the FCP X TOUR presents the power of Final Cut Pro X and its ecosystem to everyone involved in media and entertainment.
December 5, 2016, 06:17 AM
http://www.screeneditors.com.au/2016-ellie-award-w...
THE AUSTRALIAN SCREEN EDITORS GUILD PROUDLY CONGRATULATES THE WINNERS OF THE 2016 ASE GUILD ‘ELLIE’ AWARDS, OUR NEW ACCREDITEES AND LIFETIME MEMBER Best Editing in a Drama Feature Tania Michel Nehme - Tanna WINNER Ken Sallows ASE - A Month of Sundays Karryn de Cinque - Girl Asleep Veronika Jenet ASE - The Daughter Best […]
December 5, 2016, 06:04 AM
http://www.creativebloq.com/features/how-far-is-to...
When it comes to securing work and progressing a career, getting your name out there is one of the first challenges most designers will encounter. Competition is fierce, so if you want to stand out from the crowd and impress a studio or creative director you're going to have to do something truly impressive. There are some pitfalls you need to avoid, however, but thankfully the experts are here to guide you through.
December 5, 2016, 06:04 AM
http://www.commandeditpodcast.com/blog//a-long-win...
Let me back it up a bit. Joe Vallero is an editor who made the move to LA and has the IMDB page to show it. In our interview with him here we ask him about how making the transition to LA and finding work went for him, any tips he would have for other editors looking to wedge their foot in the proverbial door of big productions and what myths about working in LA hold water and which ones are just fluff.
December 4, 2016, 01:43 PM
http://www.screeneditors.com.au/2016-ellies-winner...
WINNERS OF THE 2016 ASE ELLIE AWARDS
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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