It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
May 10, 2018, 04:25 PM
https://icolorist.com/2018/05/10/colourlab-201-onl...
After completing course 101 and covering all the technical aspects of ColourLab, this class teaches you how to use ColourLab to develop your own unique and original looks. You will find out how the subtle manipulation of color can help tell the story and affect the emotion. The course also demonstrates how ColourLab simplifies look creation by taking you through the processes of creating some of the most common ‘color cooking recipes’. colour.training
May 10, 2018, 12:35 PM
https://www.aotg.com/my-daughter-was-stolen-uses-davinci-resolve-studio/
Blackmagic Design today announced that the thriller “My Daughter Was Stolen” used a variety of its gear throughout production and post, including URSA Mini Pro, URSA Mini 4.6K and Pocket Cinema Camera digital film cameras, DaVinci Resolve 14 Studio for color grading, editing and sound design and Fusion 9 Studio for visual effects (VFX).
#editing#blackmagic design#davinci resolve studio#audio postMay 10, 2018, 10:55 AM
I stumbled upon this site and figured I'd share a short film I made that involves CG chicken wings raining from the sky. All the VFX shots have some practical wings in them to better sell the action. The idea was to get people to mistake real wings for fake ones to add to the surreal nature of it. I'd love to hear your feedback!
May 10, 2018, 09:39 AM
https://jonnyelwyn.co.uk/film-and-video-editing/th...
Catch up on the best post production presentations from NAB 2018 including talks on Documentary Editing, Mindhunter's dailies, DaVinci Resolve, 8K post workflows and more...
#nab 2018#post production workflowMay 10, 2018, 09:36 AM
http://www.postmagazine.com/Press-Center/Daily-New...
LOS ANGELES — Pacific Post (www.pacpost.com), a full-service editorial equipment rental and services provider, has expanded its footprint with the opening of a new 10,000-square-foot facility in Sherman Oaks. The new location offers 25 spacious Avid suites with 24/7 technical support, alongside a writer’s room and several production offices.
May 10, 2018, 09:36 AM
https://www.provideocoalition.com/davinci-resolve-...
The team at Blackmagic Design is at it again. DaVinci Resolve 15 has made some major headway as an all-in-one post production solution. Fusion compositing and effects are now built right into DaVinci Resolve 15. No need to round trip and no need to open another application. Editors, colorists, audio mixers, and visual effects artists can now work from the same project.
May 10, 2018, 09:36 AM
http://www.artofvfx.com/pacific-rim-uprising-desig...
Come have a look at the design and VFX work of Territory Studio for PACIFIC RIM – UPRISING...
May 10, 2018, 09:36 AM
http://www.artofvfx.com/avengers-infinity-war-patr...
Patric Roos has 20 years of experience in visual effects. He has worked in many studios like MPC, Industrial Light & Magic and DNEG before joining Framestore in 2015. He has worked on many films such as CLASH OF THE TITANS, THE AVENGERS, STAR TREK: INTO DARKNESS, GODZILLA and GUARDIANS OF THE GALAXY VOL. 2.
May 10, 2018, 06:40 AM
http://www.fcp.co/final-cut-pro/tutorials/2074-how...
We hate losing stuff as having to do anything twice is a waste of time and money. Matt O'Shea gives us some tips about sorting media, saving Libraries and has a free set of folder icons to download that will help get your media organised.
May 10, 2018, 06:40 AM
https://journaldunemonteuse.wordpress.com/2018/05/...
Voilà deux ans (seulement !) que je m’intéresse à l’édition et que je « monte » des livres. Je me suis formée, j’ai monté une petite maison d’édition et j’ai co-édité (nous sommes deux) quatre livres. Je trouve cela étonnant, mais je … Lire la suite →
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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