To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

The Invisible Horror of The Shinning

November 25, 2021, 08:53 AM

https://www.youtube.com/watch?v=b7-1gCc0Vnw

A look at the eldritch horrors hidden in the halls of The Overlook Hotel.

Yellow Stranger The Color Theory of Zodiac

November 25, 2021, 08:52 AM

https://filmschoolrejects.com/fincher-zodiac-yello...

Here's a video essay on the use of the color yellow in the film 'Zodiac,' from a symbol of obsession to a means of capturing a 1970s vibe.

Japanese Travel Show Connects Live to Barcelona with Pocket Cinema Camera 6K

November 22, 2021, 01:51 PM

https://www.blackmagicdesign.com/media/release/202...

Blackmagic Design has announced that Ariyoshi Sekai doji chukei, an interactive travel show for Japan’s TV Tokyo channel, used the Blackmagic Pocket Cinema Camera 6K and an ATEM Mini Extreme ISO to stream live from Barcelona, Spain.

#blackmagic design#pocket cinema camera 6k#atem mini extreme iso
Why Dunes Visual Effects Feel So Different

November 20, 2021, 08:37 AM

https://www.youtube.com/watch?v=uIKupTibxKQ

Why Dune's Visual Effects Feel So Different

Behind the Title: Bandit Editor Zeke O’Donnell

November 19, 2021, 08:45 AM

https://postperspective.com/behind-the-title-bandi...

Zeke O’Donnell is an editor and director at Bandit, a NYC-based creative editorial and post production company with a focus on storytelling. “We partner with advertising agencies, directors, studios and brands to make impactful work across all platforms and genres,” he says. Let’s find out more from Bandit‘s O’Donnell, Continue reading → November 17, 2021 The post Behind the Title: Bandit Editor Zeke O’Donnell appeared first on postPerspective.

Fire at Sea: How to grade for documentary

November 19, 2021, 08:43 AM

https://www.redsharknews.com/post-vfx/item/4383-fi...

Replay: Colourist Andrea Orsini reveals the ways in which DI can craft nonfiction through his work on Oscar-nominated Fire at Sea.

Boris FX ships Sapphire 2022

November 19, 2021, 08:42 AM

http://www.cgchannel.com/2021/11/boris-fx-ships-sa...

Boris FX has released Sapphire 2022, the latest version of its suite of effects plugins for compositing and editing software, introducing Photoshop as a new host application.

The Harder They Fall Behind the FX

November 19, 2021, 08:42 AM

https://www.artofvfx.com/the-harder-they-fall-behi...

Netflix has released this interesting featurette about the seamless visual effects work explained by Director Jeymes Samuel and VFX Producer David P.I. James for the western movie, The Harder They Fall...

Venom Let There Be Carnage Chris McLaughlin V

November 19, 2021, 08:42 AM

https://www.artofvfx.com/venom-let-there-be-carnag...

Chris McLaughlin joined the DNEG team in 2010. He has worked on a number of projects including John Carter, Terminator Genisys, Blade Runner 2049 and Deadpool 2.

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