To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
How to Animate Any Redshift Attribute in Houdini
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How to Animate a Shockwave in Blender
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Kitz VFX Breakdown by Scanline VFX
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https://www.artofvfx.com/kitz-vfx-breakdown-by-sca...
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Color Management Part 2: Newton’s Prisms
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https://www.provideocoalition.com/color-management...
Color management may not be fun, but we once we break the topic down into small parts it becomes much easier to digest. In the introduction I suggested that it’s no longer possible to completely ignore color management, so with that out of the way, let’s get started. Sooner or later, any discussion about color [...]Read More... from Color Management Part 2: Newton’s Prisms
Godzilla vs Kong VFX by Weta Digital
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https://3dtotal.com/news/general/godzilla-vs-kong-...
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No Time To Die VFX Breakdown
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When photos and footage of actor Kristofer Hivju wearing make-up effects appliances and a head-mounted camera in order to play Nivellan in season 2 of The Witcher were seen by fans, people were excited about the approach taken to bring this character to life.
The Witcher Season 2 VFX Breakdown
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https://www.artofvfx.com/the-witcher-season-2-vfx-...
The teams of the Icelandic studio RVX take us to discover the mythical fortress of the Witchers, Kaer Morhen, in this VFX Breakdown showing its creation for the second season of The Witcher series!
Limbo VFX Breakdown by FreeD Workshop
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