It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 7, 2016, 05:27 PM
http://renderplease.com/post/152860013495
I’m like:
November 7, 2016, 05:27 PM
http://www.studiodaily.com/2016/11/frame-io-gets-a...
Frame.io is cutting to the chase with VFX and motion graphics artists, bringing its real-time collaboration features to a new Adobe After Effects panel that adds Frame.io's review, commenting and annotating system to Adobe's compositing software. The integration is similar … more » The post Frame.io Gets Adobe After Effects Integration appeared first on Studio Daily.
November 7, 2016, 01:36 PM
http://lesterbanks.com/2016/11/animate-tiny-planet...
WorkBench.tv’s Joe Clay was reminded of a technique he used a while ago, by noticing the new Photoshop Splash Screen. Joe shows how you can create and animate something similar to the tiny planet effect. This however, is more of a tunnel world effect in After Effects. The PS splash screen is by Amr Elshamy, The Post A Twist on the Tiny Planet Effect in After Effects originally appeared and published on %%BLOGLINK%,by lesterbanks
November 7, 2016, 01:36 PM
http://blogs.nppa.org/editfoundry/2016/11/07/using...
When you make an edit, it's an important decision. Each edit should advance your story. So when do you make an edit? There are many reasons. Your story should have a rhythm, like a good song has a good beat. How do you find your rhythm? Here's an idea. Follow the rhythm of the narration and the soundbites.
November 7, 2016, 01:36 PM
http://www.digitalrebellion.com/blog/posts/recent_...
We've been busy - here are some recent software updates for our products that you may have missed.Pro Media Tools 1.4.6 - Nov 1 2016 QT Edit - Added an option to preserve the original file's timestamp in batch mode QT Edit - Added additional ARRI metadata presets QT Edit - Conforming is now aborted if the user does not have write permissions for the file QT Edit - Fixed an issue where exported timecode in marker lists could be incorrect Post Haste - Updated the default templates to us...
November 7, 2016, 10:36 AM
http://www.hollywoodreporter.com/news/jim-faris-de...
Jim Faris, the father of Little Miss Sunshine co-director Valerie Faris and a film editor in Hollywood for more than four decades, has died. He was 97.
November 7, 2016, 10:35 AM
http://www.macworld.co.uk/review/video/apple-final...
The new version of Final Cut Pro X debuted at the recent special event held by Apple at the Town Hall in Cupertino. Shown working on the new MacBook Pro with Touch Bar, this version has much more to offer the high-end professional video editor than ever before. Here's our Final Cut Pro X 10.3 review
November 7, 2016, 10:35 AM
https://filmschoolrejects.com/how-channel-zero-can...
here’s no question that some of horror’s scariest and most memorable moments have come from our imagination being encouraged to run wild. Would we really have gotten the same thrill of terror if we had peered into that black bassinet and seen Adrian’s eyes along with Rosemary? Probably not. Fear in its most distilled and potent form often comes when we are alone in the dark, our minds free to wander the archives of horrors seen or half-remembered, until we eventually suffocate ourselves in...
November 7, 2016, 10:35 AM
https://www.aotg.com/rob-legato-on-virtual-production-and-technicolor/
The video chronicles the development of Academy Award-winning VFX supervisor Rob Legato’s “virtual production” methodology.
November 7, 2016, 06:34 AM
http://www.broadcastbeat.com/nab-show-new-york-pre...
Eivind Sandstrand of Arvato Systems and Ryan Salazar of Broadcast Beat chat about the much anticipated event – NAB Show New York
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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