To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Curve Library for Maya Lets You Easily Save and Cr

March 28, 2018, 12:38 PM

http://lesterbanks.com/2018/03/curve-library-maya-...

Curve Library is a Great Way to Store and Use Control Curves in Maya Quickly. Daniia Nigmatullina’s Curve Library script for Autodesk Maya, allows users to save and create custom curves for your rigging controls

Dalet Introduces Dalet Galaxy five at NAB 2018

March 28, 2018, 10:59 AM

https://www.aotg.com/dalet-introduces-dalet-galaxy-five-at-nab-2018/

New version of the flagship Dalet platform enables the next generation of intelligent and hybrid workflows

#workflows#media assets#media management
Editor Maya Mumma, ACE on building tension

March 28, 2018, 09:06 AM

https://www.aotg.com/editor-maya-mumma-ace-on-building-tension/

Maya Mumma, ACE, began her career in the edit room of the Academy Award nominated documentary "Restrepo." The film won the Grand Jury Prize at the 2010 Sundance Film Festival and received a News and Documentary Emmy for Outstanding Editing. Most recently, she was an editor on the Academy Award winning 7.5 hour documentary "O.J.: Made in America" for which she...

Clase magistral con Andrea Chignoli (Chile) y proy

March 28, 2018, 09:05 AM

https://edaeditores.org/clase-magistral-con-andrea...

La Comisión de Formación de EDA se enorgullece en presentar el 2° ciclo de cine Detrás del corte, dedicado a la divulgación de la obra de las y los montajistas más reconocidos y destacados. En esta oportunidad el ciclo está dedicado a la editora chilena Andrea Chignoli. Dicho evento está conformado por la proyección de dos […]

Entrevista abierta con Juan Carlos Macías (SAE) (

March 28, 2018, 05:42 AM

http://saeditores.org/Novedades/Entrevista-abierta...

Segunda parte de la Entrevista abierta con Juan Carlos Macías (SAE), organizada por la SAE en el marco de las actividades del 32° Festival Internacional de Cine de Mar del Plata, ocasión en la cual además recibió el Premio a la Trayectoria 2017.En esta segunda entrega, Macías desarrolla un amplio anecdotario de sus experiencias en el trabajo de la edición de publicidad, además de analizar su participación junto a Luis Puenzo en La historia oficial -ganadora del Oscar de la Aca...

Postperspective: Interview With Sound Editor Cathl

March 28, 2018, 05:41 AM

http://designingsound.org/2018/03/27/postperspecti...

As part of the “Behind The Title” series, Postperspective has published an interview with Sound Editor/Reccording Engineer Cathleen Conte. Cathleen explains what goes into working as Sound Editor, about her approach to voice over recording and the importance of making a human connection with the talent. You can read the full interview here.

Idustrial Revolution Releases XEffects Smooth Glas

March 28, 2018, 05:41 AM

http://www.fcp.co/final-cut-pro/articles/2056-idus...

Idustrial Revolution has just released a new set of plugins for building a glossy animating slideshow. They are on special offer at $39 for the launch, down from $49.

Cut With FCPX: The Prestigious Period Mystery-Thri

March 28, 2018, 05:41 AM

http://www.fcp.co/final-cut-pro/articles/2054-cut-...

With a production crew of 400 people, a cast of 200 actors and over 2000 extras, hundreds of hours of raw footage shot by several crews on 130 locations, 9 months of editing and 10 months of VFX work, Alberto Rodríguez’ and Rafael Cobos' 12.3 million dollar television series “La Peste” (The Plague) is the flagship original drama production of Movistar+, the largest VoD provider in Spain and part of media giant Téléfonica.

Joe Letteri (War for the Planet of the Apes) - VFX

March 27, 2018, 12:25 PM

https://www.aotg.com/joe-letteri-war-for-the-planet-of-the-apes-vfx/

Gordon Burkell sits down with Joe Letteri to discuss his Oscar-nominated work on War for the Planet of the Apes.

Digital Production Buzz – March 29, 2018

March 27, 2018, 12:19 PM

http://www.digitalproductionbuzz.com/2018/03/digit...

This week on the BuZZ we talk with companies who can help with production planning, renting gear and finding the right people both in front and behind the camera. Plus, we have an inside look at the upcoming SuperMeet! Join host Larry Jordan as he talks with Michael Horton, Paul Friedman, Aaton Cohen-Sitt, Steve Lack and James DeRuvo. SuperMeet 2018 Preview A Better Way to Rent Your Gear Let Gorilla Get The Monkey Off Your Back Mandy: A Better Way to Find Work The Weekly DoddleNEWS ...

© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.