It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 4, 2014, 11:09 AM
http://www.artofvfx.com/?p=6212
Avi Goodman began his career in visual effects as an animator at Weta Digital for THE LORD OF THE RINGS: THE TWO TOWERS. He then joined Iloura and worked on films such as AUSTRALIA, DO NOT BE AFRAID OF THE DARK or TED.
March 4, 2014, 11:09 AM
http://cinefex.com/blog/roger-christian-lightsaber...
Last week, Roger Christian talked to me about his short film Black Angel, which supported The Empire Strikes Back during its initial theatrical release in 1980. In the concluding part of this article, he looks back at his experiences as set decorator on Star Wars, and art director on Alien.
March 4, 2014, 05:46 AM
http://www.awn.com/news/vfx-oscar-rally-attracts-o...
An estimated 540 people from the visual effects community participated in a rally on Hollywood Blvd. on Oscar Sunday, according to a report by The Hollywood Reporter. The protest was held to raise awareness of the factors damaging the troubled VFX business and offer a proposed solution. At the demonstration, many wore green -- the color of a green screen -- as a symbol of the issues protestors are facing.
March 4, 2014, 05:46 AM
http://feedproxy.google.com/~r/industryhappenings/...
Wednesday, March 12th, 2014 @ 7pm VFX on a Budget – Thinking Outside the Box LAPPG is excited to have BFX Imageworks‘ dynamic team come and share how VFX can be done without breaking the bank. Partners Steven and BenniQue Blasini will show select shots from their film “Jersey Shore Shark Attack”, with detailed explanations of how they were created. Then, they will take an example shot and show how Imagineer System’s mochaplayed an integral part in its creation. This is a grea...
March 3, 2014, 10:51 AM
http://www.artofvfx.com/?p=6193
The Embassy have published a great VFX breakdown about their work on ENDER’S GAME...
March 3, 2014, 10:51 AM
http://lesterbanks.com/2014/03/designing-creating-...
CreativMotion posts a look at building data glitch effects in After Effects from elements that are brought in from Adobe Illustrator. The technical data glitch effect give life to interface elements, especially when you are drawing them on or taking them off the screen. If glitches like this happened with equipment in real life, it most likely would be unacceptable. However on screen, it can bring the animation to life and also provide a visual cue for the viewers eye.
March 3, 2014, 10:47 AM
http://www.3dvf.com/actualite-8954-vfx-500-manifes...
As expected , a new manifestation of VFX artists was held on Sunday on the sidelines of the Oscars, with the main demand the end of fiscal aid.
March 3, 2014, 06:07 AM
http://vfxsoldier.wordpress.com/2014/03/02/541-att...
Wow. Thank you to everyone who attended and those all over who supported us in our effort to apply duties to subsidized visual effects to level the playing field. We will be heard.
March 3, 2014, 06:06 AM
http://www.artofvfx.com/?p=6197
A huge congratulations to Tim Webber, Chris Lawrence, Dave Shirk and Neil Corbould and the whole Framestore team to have won the Oscar for Best Visual Effects for GRAVITY !
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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