It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
September 11, 2018, 05:16 AM
http://designingsound.org/2018/09/11/a-trip-to-one...
In this blog post, Thomas Rex Beverly shares parts of his recordings, tips about keeping gear dry and lessons learned from his trip to Hoh Rain Forest. One of the recordings is a thirty-five minute take of the natural silence from “One Square Inch”. Listen to the recordings and read the full post on […]
September 9, 2018, 12:09 PM
http://designingsound.org/2018/09/08/soundpicture-...
Canadian Supervising Sound Editor Jane Tattersall discusses the aspects and creative considerations for determining the sonic approach to the award-winning Hulu original series. With the approach of the 2018 Primetime Creative Emmy Awards, a look back at this detailed article provides may provide some context for the sound of the series, especially considering the nomination […]
September 8, 2018, 06:20 AM
https://www.aotg.com/tonebenders-podcast-joseph-fraioli/
We talk with Joseph Fraioli about his work on the new science fiction film "Kin" by directors Jonathan and Josh Baker. Joseph tells us about how he created an alien language and the sounds of the mysterious gun at the heart of the film. He also discusses how he uses modular synths in his sound design and how he worked with a sound team spread out between New York, Los Angeles, Toronto and Scotland.
September 7, 2018, 09:15 AM
http://designingsound.org/2018/09/07/lost-landscap...
Part 1 of a 3 article series, discussing the influence of game audio on the creation of systems for the playback of sound, specifically in relation to playing guitar within the construct of an elaborate realtime effects system for guitar. Does sound have the ability to slow down the turning of the earth? Not […]
September 7, 2018, 05:30 AM
http://designingsound.org/2018/09/06/using-sound-d...
Canadian Youtuber/Composer Andrew Huang had the unique opportunity to contribute to the development of the latest phone from South Korean tech giant Samsung. The Note 9 featured Huang’s work as one of the new ringtones users can choose to customize their experience. Huang used a number of household items to craft a unique percussive font […]
September 6, 2018, 12:47 PM
https://www.aotg.com/a-quiet-place-telling-a-story-with-sound/
Sound always plays a particularly important role in the horror genre, but A Quiet Place takes this a step further, making sound itself a key element of the story. So in this video I talk to the sound designers of the film, Erik Aadahl and Ethan Van der Ryn, to learn more about the ways sound can be used in storytelling.
September 5, 2018, 11:10 AM
http://designingsound.org/2018/09/05/when-sound-ma...
This guest post comes to us from Natalia Saavedra Brychcy, a freelance sound designer based in Santa Cruz de la Sierra, Bolivia, working remotely for different studios in Los Angeles and New York City. Natalia has been a sound effects editor/sound designer for over 4 years, working on a wide array of projects from all over […]
September 4, 2018, 04:57 AM
https://postperspective.com/meg-giant-shark-sound-...
By Jennifer Walden Warner Bros. Pictures’ The Meg has everything you’d want in a fun summer blockbuster. There are explosions, submarines, gargantuan prehistoric sharks and beaches full of unsuspecting swimmers. Along with the mayhem, there is comedy and suspense and jump-scares. Best of all, it sounds amazing in Dolby Atmos. The team at E² Sound, Continue reading → September 3, 2018 The post The Meg: What does a giant shark sound like? appeared first on Randi Altman's postPerspe...
September 3, 2018, 09:44 AM
http://designingsound.org/2018/09/03/how-would-you...
…this image? Often times, that’s what our job is. We’re given an image or an emotion to describe through the use of sound, or sometimes it’s a little easier. We’re tasked with creating something that doesn’t exist in our every daily lives, but has enough visual elements we can relate to that we understand what […]
August 30, 2018, 09:41 AM
http://designingsound.org/2018/08/30/creating-flui...
Jim Harrison is an award-winning music editor, whose credits comprise The Greatest Showman, The Jungle Book, Houdini, Ice Age: Collision Course, Harry Potter and the Chamber of Secrets, Purple Rain and many more. In this interview Jim talks to us about the music editing process between pop and classical music for The Greatest Showman, as […]
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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