Behind the Title: Freefolk MD Justine White

March 10, 2018, 09:50 AM

http://postperspective.com/behind-title-freefolk-m...

NAME: Justine White COMPANY: Freefolk CAN YOU DESCRIBE YOUR COMPANY? We are a high-end visual effects and post production company in our 15th year. We are independently owned and work hard at providing a creative environment and culture where talent can flourish. Continue reading → March 9, 2018 The post Behind the Title: Freefolk MD Justine White appeared first on Randi Altman's postPerspective.

10 Women of Title Design – Part Four

March 10, 2018, 09:50 AM

http://feedproxy.google.com/~r/artofthetitle_rss/~...

In 2015, we published our first feature article in celebration of International Women’s Day entitled 10 Women of Title Design. We have returned each year since with a new group of 10 women in the title design industry to celebrate. This year, we are ecstatic to present another 10!Here at Art of the Title, our mission is to champion the great work of title designers and all those involved in the craft. The 10 Women of Title Design articles are one of the ways in which we strive towards more...

Getting all my work done before lunch

March 9, 2018, 03:27 PM

http://renderplease.com/post/171696391525

An In-Depth Look at Effect Matte for After Effects

March 9, 2018, 03:26 PM

http://lesterbanks.com/2018/03/tutorial-effect-mat...

Plugin Everything Has an In-Depth Look at Working With Their New Plugin Effect Matte Effect Matte is one of those things that is so simple; you wonder why it hasn’t been around sooner. From the

The Fundamentals of Blend Shapes and the Blend Sha

March 9, 2018, 03:26 PM

http://lesterbanks.com/2018/03/fundamentals-blend-...

Damon Lavenski Walks Through the Basics of Blend Shapes Using the Blend Shape Editor in Maya Damon Lavenski is a CG Generalist working for Psyop. His latest tutorials cover the fundamentals of working with Maya’s

THOR - RAGNAROK: VFX Breakdown

March 9, 2018, 09:48 AM

http://www.artofvfx.com/thor-ragnarok-vfx-breakdow...

Image Engine have just released the VFX Breakdown about their work on THOR – RAGNAROK...

Transcript: Digital Production Buzz – March 8, 2

March 9, 2018, 09:47 AM

http://www.digitalproductionbuzz.com/2018/03/trans...

HOST Larry Jordan GUESTS Jim Malcolm, General Manager, North America, Humaneyes Technologies Srinivas Krishna, Founder and CEO, Geogram and AWE Company Ltd. Ethan Shaftel, Director/Writer of Film, EasyAction Matthew Celia, Creative Director, Light Sail VR James DeRuvo, Editor-in-Chief, DoddleNEWS == Larry Jordan: Tonight on the Buzz, we are looking at virtual reality and augmented reality.  … The post Transcript: Digital Production Buzz – March 8, 2018 appeared first on Digita...

Transcriptive: AI Generated Transcripts for Captio

March 9, 2018, 09:47 AM

https://www.youtube.com/watch?v=OkVgMqPP8lY

Jim Tierney showed off Transcriptive, their new A.I. based transcription solution for Premiere Pro. Transcriptive uses A.I. to automatically turn all the dialog in your video into text. This can be used for captions, subtitles and search. PowerSearch, another panel that Digital Anarchy is releasing at NAB 2018 will allow you to search all the metadata across clips and Premiere sequences, allowing users to find exactly where something was spoken. Hosted by Michael Horton.

How to Use Zbrush’s Normal Pass to Change Lighti

March 9, 2018, 09:47 AM

http://lesterbanks.com/2018/03/zbrush-normal-pass0...

Danny Mac Shows How You Can Change Lighting On Zbrush Renders Using the Object Space Normal Pass Danny Mac showed off his technique for getting renders out of Zbrush and into Adobe Photoshop, which primarily

Can DaVinci Resolve steal the edit market?

March 9, 2018, 09:46 AM

http://www.xdcam-user.com/2018/03/can-davinci-reso...

I have been editing with Adobe Premiere since around 1994. I took a rather long break from Premiere between 2001 and 2011 and switched over to Apple and Final Cut Pro which in many ways used to be very similar to Premiere (I think some of the same software writers were used for FCP as Premiere). My FCP edit stations were always muti-core Mac Towers. The old G5’s first then later on the Intel Towers. Then along came FCP-X. I just didn’t get along with FCP-X when it first came out. I’m still...