It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
September 2, 2016, 05:45 AM
http://editstock.com/blogs/all/alternative-to-film...
Not everyone decides to go to film school, obviously. There are a number of perfectly good reasons for that too; the cost, the relocation, the relatively low chance an employer will ask for it. But deciding not to go to film school doesn't mean you don't have to work hard, practice, and solicit feedback on your work - whatever the department you want to work in. In his recent article An Alternative Film School For Editors, editor Jonny Elwyn gives you his recipe for a long editing car...
September 2, 2016, 05:45 AM
http://www.broadcastbeat.com/9th-annual-amsterdam-...
SuperMeet highlighted by the making of “Pure McCartney VR” and “Giant,” a virtual reality experience inspired by real events The agenda has now been set for the Ninth Annual Amsterdam SuperMeet, to take place during IBC2016 on Sunday, 11 September at the Hotel Krasnapolsky in the heart of Amsterdam, NL. The agenda will feature presentations ...
September 2, 2016, 05:44 AM
http://renderplease.com/post/149796583005
I’m like:
September 1, 2016, 12:28 PM
http://www.broadcastbeat.com/bluefish444-announces...
Bluefish444, manufacturer of the industry’s highest-quality uncompressed 4K/2K/HD/SD SDI video cards, announces Fluid IngeSTore version 1.1, obtainable free from the Bluefish444 website. IngeSTore v1.1 will be available shortly after IBC 2016. IngeSTore is Bluefish444’s free multi-channel capture software compatible with all Bluefish444 video cards. It captures multiple simultaneous channels of SD/HD/3G SDI to popular media ...
September 1, 2016, 12:28 PM
http://www.studiodaily.com/2016/09/editshare-tells...
Basingstoke, UK – August 30, 2016 – EditShare will make IBC2016 the official launch pad for its brand new Flow Story, a professional fast-turnaround, remote editing application. A module of the EditShare Flow media asset management solution, Flow Story offers … more » The post EditShare Tells Its Flow Story at IBC2016 appeared first on Studio Daily.
September 1, 2016, 09:32 AM
https://www.aotg.com/making-the-cut-una-ni-dhonghaile-talks-creativ/
With recent credits including The Missing, The Crown and Ripper Street, Úna Ní Dhonghaíle is one of the pre-eminent TV drama editors of the age. But she is also active in documentary and animation, and says that in particular her earlier work on “creative documentaries” helped to shape her subsequent dramatic work.
September 1, 2016, 09:31 AM
https://journaldunemonteuse.wordpress.com/2016/09/...
Tu avais lu mon livre (cf : je n’aime pas les jump cut) et pourtant, toi qui les adore, tu m’as dit allons-y. En douceur, tu m’as fait tailler les plans, les retailler, les re-retailler, et j’ai monté en jump … Lire la suite →
September 1, 2016, 09:31 AM
http://manhattaneditworkshop.blogspot.com/2016/09/...
Anna Gunn in EquityIn Equity, the new woman-centric Wall Street potboiler from director Meera Menon and production company Broad Street, shot after shot and cut after cut line up to reinforce a feeling of suffocating isolation. This is by design, according to editor Andrew Hafitz. The film, which follows investment banker Naomi Bishop (Anna Gunn) through a scandal-plagued tech IPO, is shot and cut with a cold, nearly clinical eye. From the first frames, the entire film seems intent on distan...
September 1, 2016, 09:31 AM
http://www.broadcastbeat.com/new-editshare-flow-ma...
Features core engine improvements, new fast turnaround remote editing application, and automated workflows with Amazon, Aspera, Interra Baton and Vidcheck Basingstoke, UK – September 1, 2016 – EditShare, a technology leader in intelligent shared storage and media management solutions, today announced a new release of its Flow Media Asset Management platform (v3.3.0.3). In addition to enhanced core ...
September 1, 2016, 09:30 AM
http://www.hollywoodreporter.com/news/inside-afi-f...
As Jan Schuette begins his third year as head of Hollywood's elite film school, he faces a divided faculty and questions over new policies as players on both sides of a divided campus reveal the root of the stalemate.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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