It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 2, 2018, 05:25 AM
http://designingsound.org/2018/03/monthly-theme-eu...
We all know these special moments of success. Be it when you figure out a new production technique, when you accidentally or consciously record/design that special sound, when a game audio system that you’ve conceptualized and worked on for weeks finally comes together in the way you imagined it or when you finally figure out a […]
March 2, 2018, 05:25 AM
https://www.aotg.com/paddington-2-vfx-breakdown-2/
Have a look at this cool VFX breakdown by Framestore about their work on PADDINGTON 2...
March 1, 2018, 07:37 PM
http://renderplease.com/post/171418411090
March 1, 2018, 01:14 PM
http://postperspective.com/video-fotokem-di-colori...
Last month, Blackmagic held its first Expo, and one of its keynote speakers was Fotokem colorist Walter Volpatto. We were lucky enough to get some quality time with Volpatto, asking him about his recent high-profile color work on Star Wars: The Last Jedi, how he got started as a colorist and more. Continue reading → March 1, 2018 The post Video: Fotokem DI colorist Walter Volpatto on The Last Jedi and color appeared first on Randi Altman's postPerspective.
March 1, 2018, 01:14 PM
http://lesterbanks.com/2018/03/9-lighting-tips-imp...
Eli Prenten Shares 9 Lighting Tips for Cinema 4D That Will Have You Rendering Faster and Looking Better Looking Interaction Designer & Teacher Eli Prenten (Twistereli) has a short video that shares some lighting tips
March 1, 2018, 01:13 PM
http://variety.com/2018/music/awards/oscar-concert...
With this year’s round of Oscar campaigning finally over and the ballots all in, members of the film scoring community got to take a long, congratulatory breather with a celebratory concert at the Walt Disney Concert Hall on Wednesday night. Presented by the Academy, the Oscar Concert offered a stirring evening of music from the Los Angeles Philharmonic, featuring suites from each of this year’s five Oscar nominated original scores, most conducted by the composers themselves.
March 1, 2018, 12:07 PM
https://www.aotg.com/rtw-measures-loudness-at-chaos-comm-congress/
Company's Products Aid in the Streaming and Recording of 170 Lectures
March 1, 2018, 10:39 AM
https://www.aotg.com/editor-sam-pollard-on-cutting-and-re-cutting/
His first assignment as a documentary producer came in 1989 for Henry Hampton's Blackside production "Eyes On The Prize II: America at the Racial Crossroads." For one of his episodes in this series, he received an Emmy.
March 1, 2018, 10:39 AM
http://lesterbanks.com/2018/03/preview-effect-matt...
A new Effect Matte Plugin for After Effects Aims to Simplify Layer Transition Mattes With a Cleaner Timeline One of the drawbacks with a layer-based compositor and workspace is that mattes can get out of
March 1, 2018, 10:38 AM
http://blogs.adobe.com/creative/after-effects-25-j...
After Effects wird 25! Ein Grund für uns zurück auf die Anfänge von After Effects, hin zum aktuellen Hollywood-Erfolg und der Zukunft von Motion Grafics und VFX zu blicken. Sattgrüne Vegetation, blutige Szenen, kolossale Dinosaurier, die ein prähistorisches Land durchstreifen. Im Juni 1993 revolutionierte Jurassic Park die Filmindustrie mit aufregend realistischen visuellen Effekten (VFX). After Effects hatte erst im Januar offiziell debütiert, und obwohl die Version 1.0 recht einfach...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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