To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Me on the team coco podcast
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http://robashe.com/blog/2016/8/21/me-on-the-team-c...
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Television Academy
August 21, 2016, 12:16 PM
http://www.emmys.com/bios/rob-ashe
This is my page on the EmmysPermalink
Weekend Reads - Aug 20 2016
August 20, 2016, 12:46 PM
http://www.digitalrebellion.com/blog/posts/weekend...
Film Editing Tutorial: Oh Shit! Moment
August 20, 2016, 06:26 AM
https://www.aotg.com/film-editing-tutorial-oh-shit-moment/
In this film editing tutorial I continue on with cutting a feature film by Sundance filmmaker Mark Webber. In this scene the lead character has a tough choice: Chips or privacy.
Avid Pro Tools | S6 Puts 422 Glasgow In Prime Audi
August 20, 2016, 06:25 AM
http://www.avidblogs.com/avid-pro-tools-s6-puts-42...
The article Avid Pro Tools | S6 Puts 422 Glasgow In Prime Audio Post Position by Keri Middleton appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..
4 Overlooked things in your edit suite
August 20, 2016, 06:25 AM
http://editorcontrol.com/4-overlooked-things-a-vid...
You got the best monitor and fastest graphics card on the planet. But if you’re still missing these things you aren’t getting as much out of your editing suite as you could be. Read on for four overlooked things every editor needs.
White Balance Footage in Final Cut Pro X
August 19, 2016, 03:29 PM
http://www.premiumbeat.com/blog/white-balance-in-f...
For some reason you can't just simply white balance footage in Final Cut Pro X with the push of a button. Here's a workaround that doesn't require any plugins.
Mixer/sound designer Ted Marcus joins Super Explod
August 19, 2016, 03:28 PM
http://www.postmagazine.com/Press-Center/Daily-New...
NEW YORK — Audio house SuperExploder has hired Emmy-winning mixer/sound designer Ted Marcus. He has over 20 years of experience in audio post, spanning mixing, editing, sound design and music for broadcast promos, feature films and music-driven long-form content.
SIGGRAPH 2016: VFX Legion's James Hattin
August 19, 2016, 03:28 PM
http://www.youtube.com/watch?v=X_21yjdEQXk
VFX Legion co-owner James Hattin tells us about his company, which employs artists who work remotely worldwide.
Editing Reality TV With Mark S. Andrew, A.C.E. @ E
August 19, 2016, 03:28 PM
http://www.digimediapros.com/editing-reality-tv-ma...
In this episode I speak with Mark S. Andrew, A.C.E., an editor on the reality TV show The Deadliest Catch, Alaska The Last Frontier, Beyond Scared Straight, Dancing With The Stars, plus others. He talks to us about crafting the story in the edit bay, being unbound from a script and the many challenges a reality TV show editor has to overcome.
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