To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
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February 2018 Photos
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http://lappg.com/february-2018-photos/
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http://www.btlnews.com/featured/65th-annual-mpse-a...
Golden Reel: Blade Runner 2049 and War for the Planet of the Apes Win Top Honors Blade Runner 2049 captured the Golden Reel Award for Best Sound Editing in Feature Film for FX/Foley and War for the Planet of the Apes took the prize for Best Sound Editing in Dialogue/ADR. Blade Runner 2049 supervising […] The post 65th Annual MPSE Awards appeared first on Below the Line.
Colorist Bob Festa returns to Encore Hollywood
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http://www.postmagazine.com/Press-Center/Daily-New...
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While many live-action features include an increasing amount of CG animation, the movement has gone both ways, and animated features now also boast effects that are increasingly sophisticated and often highly realistic. It is a trend validated by the Visual Effects Society, which honors effects in animated films at its annual VES Awards.
How Hans Zimmer Fused Sound And Image
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http://deadline.com/2018/02/dunkirk-hans-zimmer-os...
Embarking on a storied creative partnership with Christopher Nolan over a decade ago, Hans Zimmer always shared with the director one particular desire: to compose a score that would fuse completely and irrevocably with the image.
Tear Video and Stills with XEffects Rips Plugins f
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http://www.fcp.co/final-cut-pro/news/2043-tear-vid...
A new product and a new(ish) look. Idustrial Revolution has just released XEffects Rips, a set of plugins for Final Cut Pro X that rip or tear video and still images. There's a special launch price of $39 down from $49 too.
How to Create a Dynamic Candle Flame with Cinema 4
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Freelance 3D & VFX Artist Sam Tato Shows How to Make a Dynamic Candle Flame Using Joints & Other Tricks There is a lot to be said for short, concise and entirely helpful tutorials. A
BRIGHT: Jason Billington - VFX Supervisor
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http://www.artofvfx.com/bright-jason-billington-vf...
Jason Billington worked in many studios such as Fuel, Meteor Studios, Digital Domain and ILM before joining Iloura (now Method Studios) in 2015. He has worked on films such as TRANSFORMERS, AVATAR, PACIFIC RIM and JURASSIC WORLD. As a VFX Supervisor, he took care of the effects of DEEPWATER HORIZON, PATRIOTS DAY and GHOST IN THE SHELL.
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