To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Opening the Docked Midi Editor - Pro Tools
February 21, 2018, 06:56 AM
https://www.pro-tools-expert.com/home-page/2018/02...
In this free video tutorial, you will learn how to open the docked MIDI editor and navigate and make selections of notes all using keystrokes introduced in Pro Tools 12.8.2.
Oscar-Nominated VFX Supervisor John Nelson on Blad
February 20, 2018, 05:51 PM
http://www.studiodaily.com/2018/02/oscar-nominated...
John Nelson’s visual effects Oscar nomination for Blade Runner 2049 is his fourth overall. In February, he received BAFTA’s Best Special Visual Effects Award for the film, and he has received an additional two previous BAFTA nominations. In 2001, Nelson received an Oscar for Gladiator. He has also received Oscar and BAFTA nominations for Iron […] The post Oscar-Nominated VFX Supervisor John Nelson on Blade Runner 2049 appeared first on Studio Daily.
Getting looped into most emails
February 20, 2018, 05:51 PM
http://renderplease.com/post/171095388735
Apple Motion 5.4: Animate With Lights in 3D - Larr
February 20, 2018, 12:49 PM
https://www.aotg.com/apple-motion-5-4-animate-with-lights-in-3d-larr/
The number one thing we can do to catch a viewer’s eye is to make something move. In this short video excerpt, Larry Jordan shows how to color and animate 3D text using lights in 3D space. In this session, you’ll discover a wealth of animation tools you can use immediately in your projects to captive...
Editor Dylan Tichenor to speak at CPUG Network's
February 20, 2018, 12:49 PM
http://www.postmagazine.com/Press-Center/Daily-New...
LAS VEGAS — The Creative Pro User Group Network recently announced plans for the 17th Annual Las Vegas SuperMeet, which will take place Tuesday, April 10th at the Rio Hotel in Las Vegas. The event coincides with the annual NAB Show, also taking place that week in Las Vegas. Editor Dylan Tichenor, ACE, who has been nominated for Oscar, BAFTA and ACE Eddie Awards, will be the SuperMeet’s featured presenter.
Rethinking the Bouncing Ball in After Effects
February 20, 2018, 12:47 PM
http://lesterbanks.com/2018/02/rethinking-bouncing...
Motion Designer Garth Lee Rethinks the Classic Bouncing Ball Aniamtion Exercise Garth Lee shares some of his insights into animation in After Effects, working with the classic bouncing ball theme. Garth suggests, and rightly so
Making the Cut: Paul Rubell, ACE—Finding the Dra
February 20, 2018, 12:47 PM
https://www.youtube.com/watch?v=CWP95gWV5qM
Paul Rubell, ACE, discusses how Media Composer liberates his editing process and allows him to create and save multiple versions. Watch the complete "Making The Cut" video series on http://www.avidblogs.com/makingthecut
Digital Production Buzz – February 22, 2018
February 20, 2018, 06:32 AM
http://www.digitalproductionbuzz.com/2018/02/digit...
This week on the BuZZ we look at the "dreaded" budget. Budgets are essential to production, but that doesn't mean we like them. Tonight, we talk with Executive Producers from TV, Film and Theatre looking for tips to building a better budget and plan for the unexpected. Join host Larry Jordan as he talks with Bob Bain, Cirina Catania, Andrew David James, Aaron Semmel and James DeRuvo. Budgeting for Live Events Budgeting for Studio Projects Budgeting for Theater An Executive Producer...
65th MPSE Golden Reel Awards Winners Announced
February 20, 2018, 06:32 AM
http://designingsound.org/2018/02/65th-mpse-golden...
The 65th MPSE Golden Reel Awards Winners have been announced. The career achievement award goes to Field Recordist John P. Fasal and the annual MPSE Filmmaker Award to Director Kathryn Bigelow. For a complete list of winners visit the official page.
An extra 12db in the Avid MC
February 20, 2018, 06:32 AM
https://www.provideocoalition.com/day-20-28daysofq...
This is kind of two Avid Media Composer audio tips in one. When you raise the audio level on a clip in Avid Media Composer via Clip Gain you can raise it 12 db. That is achieved by either the Audio Mixer Clip mode or by turning on Clip Gain in the timeline Fast/Hamburger menu or the track control panel.
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