To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Super Bowl: Sound Lounge’s audio post for Pespi,

February 15, 2018, 01:26 PM

http://postperspective.com/super-bowl-sound-lounge...

By Jennifer Walden Super Bowl Sunday is an unofficial national holiday in this country, with almost as much excitement for the commercials that air as for the actual game. And regardless of which teams are playing, New York’s advertising and post communities find themselves celebrating, because they know the work they are providing will be seen by millions and talked about repeatedly in offices and on social media. Continue reading → February 15, 2018 The post Super Bowl: Sound Lounge...

Growth and Guidance: An Interview with Steven Gree

February 15, 2018, 01:26 PM

http://designingsound.org/2018/02/growth-and-guida...

This is a guest interview submission with Steven Green, a sound designer based in the Bay-Area. It was conducted by Los Angeles sound designer Colin Andrew Grant. Since graduating from Michigan Technical University in 2014, Steven Green has been kept busy with a steady stream of work. Despite the fact that he still considers himself a […]

Magical Miyazaki films animate the Aero

February 15, 2018, 01:26 PM

http://www.latimes.com/entertainment/movies/la-et-...

If further proof were needed that we are living in a golden age of animation, the arrival of this weekend's tribute to Japan's Hayao Miyazaki at the same time that Nick Park's "Early Man" hits theaters should do the trick.

A Conversation With 'Early Man' Composer Tom Howe

February 15, 2018, 01:26 PM

https://filmschoolrejects.com/conversation-early-m...

Often the unsung heroes of the filmmaking business, composers can really help a film reach its full potential. Tom Howe is a composer whose most recent work includes scoring for Professor Marston and the Wonder Women, as well as the newest Aardman Animation film Early Man. His past credits also include Wonder Woman, The Legend of Tarzan, and The Great British Bake-Off.

How Martin Scorsese Perfected the Voice-Over

February 15, 2018, 01:26 PM

https://filmschoolrejects.com/martin-scorsese-perf...

Voice-over narration in film is often accused of being lazy or a crutch. Cinema is, after all, about visual storytelling. A voice-over can undermine the nature of the art form when misused. However, Martin Scorsese’s filmography, namely Goodfellas, Casino, Wolf Of Wall Street and Taxi Driver serve as excellent reminders for how great a voice-over can be when done right.

VFX producer Fay Hancocks joins Outpost VFX

February 15, 2018, 10:48 AM

http://www.postmagazine.com/Press-Center/Daily-New...

BOURNEMOUTH, UK — Fay Hancocks has joined Outpost VFX as VFX producer, in charge of supporting the studio’s output across feature film, high-end TV and commercials. Previously working at MPC and Double Negative, Hancocks has produced VFX for major feature films, including Star Trek: Beyond, Total Recall and Harry Potter and the Deathly Hallows: Part 2. 

Oscar Animated Films Feature Diverse Tools

February 15, 2018, 10:47 AM

http://variety.com/2018/film/awards/oscar-animated...

This year’s Academy Award nominees in the animated feature film category take audiences everywhere from Afghanistan to the mind of an infant desperately waging a war against puppies. Here are their stories...

Blade Runner Sound:A Dystopia Built From Scratch

February 15, 2018, 10:47 AM

http://www.indiewire.com/2018/02/blade-runner-2049...

Denis Villeneuve and his sound design team breakdown the hellish soundscape of BiBi’s Bar to show how Los Angeles evolved 32 years later.

Why Hitchcock Altered the Opening Sequence of 'Not

February 15, 2018, 10:47 AM

https://filmschoolrejects.com/hitchcock-altered-op...

You’d be hard-pressed to find a critic who does not count Alfred Hitchcock’s Notorious among the director’s best works. Francois Truffaut called it his favorite black-and-white Hitchcock film, saying that it is “the very quintessence of Hitchcock.”

VÍDEO: Reducción de ruido con DaVinci Resolve St

February 15, 2018, 07:09 AM

http://www.finalcutpro.es/2018/02/video-reduccion-...

El ruido de imagen es todo aquello que aparece en nuestras grabaciones de forma indeseada. En los últimos años la tecnología para su atenuación en posproducción ha mejorado mucho. Uno de los programas más avanzados para el tratamiento del ruido es DaVinci Resolve Studio. Es decir, la versión de pago del popular software de Blackmagic [...] La entrada VÍDEO: Reducción de ruido con DaVinci Resolve Studio aparece primero en finalcutpro.es.

© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.