To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

VFX for a Better, Brighter Future in Fox’s The O

February 9, 2018, 01:42 PM

http://www.studiodaily.com/2018/02/vfx-better-brig...

The Orville presents a marked departure from creator Seth McFarlane’s usual fare. While never short on his trademark irreverent humor, this starship-based series set in the 25th century is surprisingly earnest in its presentation of a better and brighter future. The series has also not shied away from difficult contemporary subject matters presented in a sci-fi […] The post VFX for a Better, Brighter Future in Fox’s The Orville appeared first on Studio Daily.

Why You Should Consider Shooting Anamorphic

February 9, 2018, 01:23 PM

https://www.amazingmusictracks.com/blog/shooting-a...

Shooting anamorphic is more accessible than ever nowadays. Take advantage of this technique in your next film project.

#film#filmmaking#lenses#place tags here: anamorphic#film gear
Gpanel For Adobe Premiere & After Effects

February 9, 2018, 09:06 AM

https://www.aotg.com/gpanel-for-adobe-premiere-after-effects-2/

Gpanel will be one of the best utilities in your creative arsenal. You can open and edit any Google Doc or Google Sheet inside Premiere Pro or After Effects. The best part of Gpanel is that you can edit the documents live right within the panel. Great for Scripts, Script Notes, Storyboards, Transcriptions and To-Do lists. If you are collaborating with a producer on the same document, you’ll see their updates live and real-time. The possibilities are endless with Gpanel!

#adobe#after effects#premier pro#gpanel
DaVinci Resolve Edits New York City Media Pilots

February 9, 2018, 07:10 AM

https://www.aotg.com/davinci-resolve-edits-new-york-city-media-pilots/

Blackmagic Design today announced that "Half-Life" and "Maturity," two new television pilots to air in January on New York City (NYC) Media, were edited and graded using DaVinci Resolve 14. The NYC Mayor's Office of Media and Entertainment (MOME) and Brooklyn College's Feirstein Graduate School of Cinema chose the two shows for development over 300 other scripts to be broadcast to the more than 18 million households that receive NYC Media.

#editing#color grading#post production#color correction
How to Simplify Your After Effects Timeline

February 9, 2018, 04:57 AM

http://feedproxy.google.com/~r/richardharringtonbl...

Using shy layers to simplify the timeline from After Effects Guru: Mastering the Timeline by Richard HarringtonUsing shy layers to simplify the timelineAs your timeline starts to fill up, you might want to get rid of some layers.Not permanently, but rather hide them from view. Let's say, for example, we know that these blood cells don't need to be animated, and this locked layer, as well. So, I can minimize these. What I'm doing is clicking on this small icon,which is based on the hi...

The Terence and Philip Show: Episode 79 – TV Hol

February 8, 2018, 07:55 PM

http://www.philiphodgetts.com/2018/02/the-terence-...

Is traditional television still the "top" in tech devices. Survey says yes, but we say "probably not", which leads to a wide ranging discussion.

Rope Rig for Maya Gets Cleaner, Lighter, and Simpl

February 8, 2018, 07:55 PM

http://lesterbanks.com/2018/02/rope-rig-maya-clean...

Brent Forrest Updates His Rope Rig for Maya to be Lighter and Easier to Use, and More Ropey Than Ever Animator Brent Forrest has updated his Rope Rig for Maya with some “under the hood”

Deluxe's Method & Iloura unify under a single bra

February 8, 2018, 11:56 AM

http://www.postmagazine.com/Press-Center/Daily-New...

LOS ANGELES — Deluxe’s sister VFX companies Iloura and Method have joined forces, unifying under the single brand, Method Studios. With teams across Melbourne, Sydney, Vancouver, Los Angeles, New York, Pune, Chicago and Atlanta, Method offers one of the industry’s deepest talent pools. The company works on blockbuster and prestige features, episodics, design, advertising and immersive experiences. 

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