It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 13, 2021, 08:39 AM
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https://creativevideotips.com/tutorials/the-secret...
Loudness Normalization in DaVinci Resolve 17 isn’t all that difficult and in order to make better and louder YouTube videos you’re going to want to learn these simple tips using the loudness meters with Blackmagic Design’s DaVinci Resolve Fairlight page to bring your levels up to -14 LUFs. This is the secret to mixing louder and more consistent volume videos for YouTube.YouTube Standard Loudness Spec -14 LUFsYouTube automatically turns your audio down if it’s too loud, but it won’t t...
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https://postperspective.com/networking-for-post-pr...
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https://postperspective.com/aja-intros-diskover-ma...
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https://www.premiumbeat.com/blog/free-halloween-vo...
Learn advanced voxel art material tips and tricks you can use for your MagicaVoxel creations—FREE MagicaVoxel Halloween models included!
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https://www.broadcastbeat.com/aja-announces-kona-5...
Integration makes it easy to incorporate remote, broadcast-quality audio and video streams into live production workflows
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https://www.dpagan.com/nugen-audio-releases-parago...
Company Also Announces Array of New Features to be Included in Both the Music and Film Solutions LEEDS, UK – NUGEN Audio announces its newest reverb plug-in, Paragon ST – a mono/stereo-only version of its convolution reverb software. Ideal for music production applications, Paragon ST allows high-end producers to sculpt and fine-tune their reverb to the needs of the track, at a lower price point. In conjunction with the new release, NUGEN has unveiled music-focused features that will be i...
#nugen audio#music production#audio pluginOctober 12, 2021, 03:16 PM
https://www.dpagan.com/pronology-presents-streamfi...
Bridge Utility Supports Both NDI and SRT Protocols and is Ideal for Large Teams On-prem or as a Cloud Application NEW YORK, OCTOBER 6, 2021 — Pronology, a developer of cutting-edge broadcast workflow solutions, now offers StreamFile Core Enterprise, a cross-platform web-based software application that is specifically designed for large teams. StreamFile Core Enterprise is a tool for receiving IP video protocols and encoding them into editor-friendly formats such as ProRes, DNx, XDCam, H.264...
#live streaming#broadcast solutions#pronologyOctober 12, 2021, 08:58 AM
https://www.premiumbeat.com/blog/history-and-reviv...
Let’s take a look at this trendy new appropriation of the classic 4:3 aspect ratio and explore whether it's right for your projects.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
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