It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 1, 2018, 01:53 PM
http://filmmakermagazine.com/104767-the-edit-room-...
As Scott Macaulay wrote in our 25 New Faces profile of 306 Hollywood directors Elan and Jonathan Bogarin last year, “In 2001, the pair — who together run the production house El Tigre Productions — began shooting their grandmother, Annette Ontell, in the Hillside, New Jersey house she resided in for 71 years. When she died in 2011, the Bogaríns decided, says Jonathan, ‘to keep the house and transform everything there into a film.’ The result is the beautifully strange 306 Hollywood, ...
February 1, 2018, 11:19 AM
https://www.amazingmusictracks.com/blog/using-low-...
Light and shadows are great for visual storytelling. Give any scene in your project a deep and melancholic atmosphere with a low-key lighting approach.
#film#place tags here: lightingFebruary 1, 2018, 11:09 AM
http://www.postmagazine.com/Press-Center/Daily-New...
SANTA MONICA, CA — Timber (timber.net) recently provided visual effects services for The Middle, a three-minute music video-styled spot for Target featuring Maren Morris, Zedd & Grey. The video premiered during a commercial break in the 2018 Grammy Awards on Sunday, January 28th.
February 1, 2018, 11:09 AM
https://news.creativecow.net/story/891916
(Brooklyn, NY--February 1, 2018) Pro Sound Effects®, the next level sound effects library company, has released Stallion - the third exclusive library from their partnership with renowned recordist and film sound pioneer, Ann Kroeber. Stallion features an incredible variety of charismatic horse sound effects from thunderous gallops to subtle breaths and expressive vocalizations.
February 1, 2018, 11:09 AM
http://www.artofvfx.com/8th-anniversary/?utm_sourc...
Today marks the 8th anniversary of The Art of VFX!
February 1, 2018, 08:09 AM
http://www.btlnews.com/featured/cinema-audio-socie...
“Having seen Michael on The Daily Show I am definitely a fan,” said CAS Awards Committee Chairperson Bob Bronow. “I am very much looking forward to him bringing his quick wit and humor to our CAS Awards,” Michael Kosta is a stand-up comedian who recently made his debut as a correspondent on The Daily Show with Trevor Noah. Kosta […] The post Cinema Audio Society Taps Michael Kosta as Host for 54th CAS Awards appeared first on Below the Line.
February 1, 2018, 08:08 AM
http://designingsound.org/2018/02/monthly-theme-sy...
Synthesis is a vast of possibilities. It allows us to create sound, destroy it, and morph seamlessly between the two. From building up sine wave oscillators through the classic form of Aggregate Synthesis, called Additive Synthesis, to using granular synthesis to bend speed, pitch and format, these algorithms can produce an almost staggering breadth […]
February 1, 2018, 08:08 AM
http://www.slashfilm.com/the-morning-watch-i-tonya...
The Morning Watch is a recurring feature that highlights a handful of noteworthy videos from around the web. They could be video essays, fanmade productions, featurettes, short films, hilarious sketches, or just anything that has to do with our favorite movies and TV shows.
February 1, 2018, 08:08 AM
http://www.cgmeetup.net/home/american-gods-vfx-bre...
EDI presents American Gods – VFX Breakdown
January 31, 2018, 05:12 PM
http://postperspective.com/quick-chat-arsenalcreat...
VFX supervisor Mike Wynd has joined ArsenalCreative from MPC, where he spent eight years in a similar role. Over the years, Wynd has worked on many high-profile projects for directors such as Rupert Sanders, Noam Murro and Adam Berg. He has also won a number of industry awards, Continue reading → January 31, 2018 The post Quick Chat: ArsenalCreative’s new VFX supervisor Mike Wynd appeared first on Randi Altman's postPerspective.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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