Student Competition Video 2018 and 2017

February 3, 2021, 01:31 PM

https://americancinemaeditors.org/student-competit...

THE REALITY OF REALITY – ZOOM EVENT

February 2, 2021, 01:12 PM

https://www.screeneditors.com.au/the-reality-of-re...

The ASE is proud to present an in-depth panel discussion and webinar on editing reality television.

Episode 042: In Conversation with Mary Stephen, CC

February 2, 2021, 01:12 PM

https://cceditors.ca/2021/02/01/episode-042-in-con...

Episode 42: In Conversation with Mary Stephen, CCE This episode is the online master series that took place on May 24th, 2020 – In Conversation with Mary Stephen, CCE. This episode was generously Sponsored by Jaxx: A Creative House & Annex Pro/Avid Born in Hong Kong and based in Paris, Mary Stephen has been working […] The post Episode 042: In Conversation with Mary Stephen, CCE appeared first on Canadian Cinema Editors / Les Monteurs et Monteuses de cinéma canadien.

Native Tongue Music

January 30, 2021, 01:18 PM

https://www.screeneditors.com.au/native-tongue-mus...

Native Tongue is one of Australasia’s largest independent music publishers. Our hands-on teams in Melbourne, Sydney & Auckland connect the music & talent of our songwriters, artists and screen composers with audio visual content creatives. We have the advantage of being a flexible, stand-alone company with a huge local & international roster of commercially released […]

Chau 2020

January 30, 2021, 01:17 PM

http://saeditores.org/Novedades/Chau-2020

El domingo 13 de diciembre lxs socixs de SAE celebramos los 8 años de nuestra querida asociación y despedimos el 2020 en un entretenidisimo brindis virtual, donde el equipo completo de edición de la serie documental “Carmel” (Netflix) compartió sus experiencias en el proyecto, atendiendo las preguntas entusiastas de lxs participantes.

Remote post-production in Brazil

January 30, 2021, 01:17 PM

https://www.productionhub.com/blog/post/remote-pos...

They say necessity is the mother of invention. This year is a case in point. Social distancing and widespread lockdowns during the coronavirus pandemic have fast-tracked a global digital transformation. Billions of people have found new ways to work remotely and connect with each other. In the audiovisual industry, productions have found new ways to continue, facilitated by live streaming, virtual production tools and video conferencing technology, not to mention super-fast connectivity than...

Editing MLK/FBI with Laura Tomaselli

January 30, 2021, 01:16 PM

https://www.provideocoalition.com/editing-mlk-fbi-...

Recently I was given the opportunity to interview editor Laura Tomaselli about her fantastic work on the new documentary MLK/FBI directed by Sam Pollard. What follows is the transcript of that conversation, lightly edited for clarity (no one wants to read me say “um” 40 times). Essentially the entire doc is made of archival footage. [...]Read More...

Using the Pick Whip for Motion Graphics in Adobe A

January 29, 2021, 01:43 PM

https://www.premiumbeat.com/blog/pick-whip-adobe-a...

The Pick Whip is a motion graphics game-changing tool in Adobe After Effects. Let’s explore what it does and how to use it.

The Keys to Success: Takeaways from an Executive P

January 29, 2021, 01:43 PM

https://www.premiumbeat.com/blog/keys-to-success-e...

From being prepared to checking your ego, here are a few industry lessons to help you stand out and always make the cut.

Sundance Q&A: Superior Editor Jenn Ruff

January 29, 2021, 01:42 PM

https://postperspective.com/sundance-qa-superior-e...

Editor Jenn Ruff has been busy. In addition to editing the Sundance film Bambirak, she cut the Sundance film Superior, which she describes as a stylish and funny thriller wherein estranged twin sisters’ lives collide and get irreparably mixed up, leaving both of them transformed. Superior was directed by Erin Vassilopoulos and shot by DP Mia Cioffi Henry. Continue reading → January 28, 2021 The post Sundance Q&A: Superior Editor Jenn Ruff appeared first on postPerspective.