To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
My advice to new people joining my show
May 11, 2016, 12:55 PM
http://renderplease.com/post/144202788485
Tales of a film editor: the making of Olivier’s
May 11, 2016, 12:54 PM
http://www.bfi.org.uk/news-opinion/news-bfi/featur...
Helga Cranston (1921-2013) arrived in London in 1939, as an 18-year-old German Jewish refugee. By the mid-1940s she was working as an editor and, on the recommendation of her mentor Reginald Beck (who had edited Laurence Olivier’s Henry V), was invited to edit Hamlet (1948).
Cutting an Escape, a Heist, and a Two-Act Action S
May 11, 2016, 04:38 AM
http://www.avidblogs.com/timeline-tuesday-marvel-a...
The article Cutting an Escape, a Heist, and a Two-Act Action Sequence for the Season Finale of Marvel’s ‘Agent Carter’ by Mark Hartzell appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..
Synchronizing Libraries in FCPX
May 11, 2016, 04:34 AM
https://www.aotg.com/synchronizing-libraries-in-fcpx/
In this week's installment of MacBreak Studio, Mark and Steve are joined by special guests Sam Mestman and Mike Matzdorff. Together, they will show you use a program called Sync Folders Pro to share Library data with multiple editors on your team.
352 Free Letterbox Templates for Video Editing (8K
May 10, 2016, 09:25 AM
http://www.premiumbeat.com/blog/free-letterbox-tem...
Easily give your videos the cinematic cropping they deserve with these free high-res letterbox templates for video editing.
Producers who are new to AVID
May 10, 2016, 09:25 AM
http://renderplease.com/post/144151728795
I get a phone call like:
Editing and match-cuts in VR — Medium
May 10, 2016, 09:22 AM
https://medium.com/@nickybee/editing-and-match-cut...
OK — so a lot of assumptions have been made about editing in VR, most of which I think are wrong. Jessica Brillhart discusses a few at some length in one of her medium posts..
In the Blink of a Mind — Prologue — Medium
May 10, 2016, 09:22 AM
https://medium.com/@brillhart/in-the-blink-of-a-mi...
I’m going to take you back to May of 2015. After a long journey filming with a prototype 360-stereoscopic rig — a very early predecessor to this one — I found myself in Seattle preparing for an edit. I stared into the familiar void of an empty timeline, but I was suddenly without experience or expertise. There were no books on editing in virtual reality, no one with advice, no theory on how to proceed.
Videocraft: Avid Media Composer Info Night
May 10, 2016, 05:24 AM
http://www.screeneditors.com.au/videocraft-informa...
TO RSVP please email your details to: Sydney -rsvp@screeneditors.com.au Melbourne -rsvpvic@screeneditors.com.au
Ciclope Festival 2014 (2014)
May 10, 2016, 05:23 AM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
For the opening titles of Ciclope Festival 2014, an international conference based in Germany dedicated to the craft of the moving image, a fuchsia booty-shaking robot acts as usher, taking us through a strange and shifting cyberdelic dream.With this sequence artist and director Saiman Chow makes his title design debut, working with studio Blacklist and the sound designers at Antfood to create a world where spam windows overwhelm, deepsea landfills overflow with colour, pandas and A-frames...
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