To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Friday Free Plugin Freemod From Audority

June 29, 2018, 05:54 AM

https://www.pro-tools-expert.com/home-page/2018/05...

In this week's Friday Free Plug-in, we are featuring Freemod from Audority, a free phase modulator plug-in which can produce effects ranging from flanging through to dissonant FM style effects and inharmonic bitcrush sounds.

Sound Lounge promotes Liana Rosenberg to head of p

June 28, 2018, 12:49 PM

http://www.postmagazine.com/Press-Center/Daily-New...

NEW YORK CITY — Independent audio facility Sound Lounge (www.soundlounge.com) has promoted Liana Rosenberg to head of production. She will be responsible for overseeing all production activity at the studio, as well as supervise its team of staff producers. Rosenberg will also serve as a key liaison between the studio and its advertising agency and post production clients, and play a lead role in forecasting, budgeting and marketing. Her roll includes the management of production activitie...

Sound Lounge Promotes Liana Rosenberg to Head of P

June 27, 2018, 12:23 PM

http://www.studiodaily.com/2018/06/sound-lounge-pr...

New York’s Sound Lounge named Liana Rosenberg head of production, with responsibility for studio staff and production operations. Rosenberg had been a senior producer at Sound Lounge since 2016. Rosenberg will be a liaison between Sound Lounge and its agency and post-production clients, the company said, and will also manage the company’s Sound Lounge Everywhere […] The post Sound Lounge Promotes Liana Rosenberg to Head of Production appeared first on Studio Daily.

Behind the Title: Composer Vlad Berkhemer

June 27, 2018, 09:30 AM

http://postperspective.com/behind-title-composer-v...

NAME: Los Angeles-based Vlad Berkhemer WHAT’S YOUR JOB TITLE? Composer WHAT DOES THAT ENTAIL? As a composer, most of my day-to-day activities revolve around reading and dissecting briefs, then translating that into music that’s custom written to picture. All that entails maintaining relationships with music houses and musicians, Continue reading → June 27, 2018 The post Behind the Title: Composer Vlad Berkhemer appeared first on Randi Altman's postPerspective.

6 Tips For Adding Effects To A Mix

June 27, 2018, 09:27 AM

http://bobbyowsinskiblog.com/2018/06/27/6-effects-...

One of the reasons why we record elements in stereo is to capture the natural ambience of an instrument. Because we can’t always record everything this way, we must create this aural space artificially, and that can be a problem for some new to mixing. There are so many choices and variables available with effects these days that things can get confusing, but these 6 tips that can help you choose what you need for each track more efficiently, courtesy of the 4th edition of The Mixing Engineer...

Netflix’s Lost in Space: mastering for Dolby Vis

June 26, 2018, 12:45 PM

http://postperspective.com/netflixs-lost-space-mas...

There is a world of difference between Netflix’s ambitious science-fiction series Lost in Space (recently renewed for another 10 episodes) and the beloved but rather low-tech, tongue-in-cheek 1960s show most fondly remembered for the repartee between persnickety Dr. Smith and the rather tinny-looking Robot. This series, starring Molly Parker, Toby Stevens and Parker Posey (in a very different take on Dr. Continue reading → June 26, 2018 The post Netflix’s Lost in Space: mastering for...

Pro Tools - Gain Scaling BX_Digital V3 EQ

June 26, 2018, 04:50 AM

https://www.pro-tools-expert.com/home-page/2018/06...

In this free video tutorial brought to you in with the support of Plugin Alliance, Pro Tools Expert team member Julian Rodgers demonstrates how easy it is to control the amount of EQ applied to multiple EQs across multiple tracks using the Gain Scale control on the Brainworx bx_digital V3 and setting custom group attributes in Pro Tools.

Making a Career Out of Audio

June 25, 2018, 05:40 AM

http://designingsound.org/2018/06/25/making-a-care...

I was exceptionally lucky to have stumbled/lied my way into a dream job designing sound for video games twenty years ago, and am even more fortunate to have somehow made a career out of it. Sometimes people ask me how I’ve managed to stay afloat in this tumultuous industry having braved numerous crunches, layoffs, studio […]

Free Plugin - Variable Tube Compressor

June 22, 2018, 06:20 AM

https://www.pro-tools-expert.com/home-page/2018/05...

In this week's Friday Free Plug-in, we are featuring MJUC jr. A variable-tube compressor.

Backstage.com: The Sound Design Of Spongebob Squar

June 20, 2018, 09:06 AM

http://designingsound.org/2018/06/20/backstage-com...

Backstage.com has recently published an extensive interview with Sound Designer Walter Trarbach and Foley Artist Mike Dobson about their work on the Tonyaward nominated musical Spongebob Squarepants. Dobson and Trarbach managed to blur the line between cartoon and live action by incorporating Spongebob’s squeaky footsteps taken from the show and “found object” sound effects like […]

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