To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Composer Kris Bowers Interview

June 15, 2018, 08:22 PM

http://www.goldderby.com/article/2018/composer-kri...

When composer Kris Bowers returned to Netflix‘s “Dear White People” for season two series creator Justin Simien had something different in mind. “He had a color palette that he decided to start using as inspiration from the beginning of the season,” Bowers reveals. The colors came from Civil War-era paintings, and “he asked me … to write a theme based on those color definitions. For instance, blue might represent confinement, and gold might represent true self.” So Bowers was on ...

Audiokinetic Blog: Oscar Coen On Player Success Th

June 11, 2018, 05:16 PM

http://designingsound.org/2018/06/11/audiokinetic-...

Audiokinetic recently published an interesting article by Sound Designer Oscar Coen on how sound can impact player success in games. You can read the full article here.

Sound Lounge extends 'Everywhere' business to Co

June 7, 2018, 02:10 PM

http://www.postmagazine.com/Press-Center/Daily-New...

NEW YORK CITY — Indepently-owned sound studio Sound Lounge (www.soundlounge.com) is bringing its ‘Sound Lounge Everywhere’ concept to Colorado, thanks to a new partnership with Boulder-based post production company 11 Dollar Bill. The Boulder studio will now offer remote audio production and mixing service to agencies and brands in the region and beyond.

Shinesparkers: Interview With Metro Prime Audio Le

June 6, 2018, 03:45 AM

http://designingsound.org/2018/06/06/shinesparkers...

The Metroid Fan Community Shinesparkers has recently published an extensive interview featuring Audio Lead Clark Wen and his work on Metroid Prime 1 and 2. You can read the full interview here.

Plush adds Headroom team to audio post roster

June 5, 2018, 04:53 PM

http://www.postmagazine.com/Press-Center/Daily-New...

NEW YORK CITY — Audio post studio PlushNYC has expanded its team by adding veteran audio and music shop Headroom to its roster. The expanded company will operate under the Plush banner. 

How to Manage Click Tracks like a Pro!

June 4, 2018, 12:25 PM

https://www.pro-tools-expert.com/home-page/2018/5/...

When working on songs with slower tempos, it's not uncommon for the band to request a double-speed click. Your first thought may be to double the session's tempo, but that will destructively move your markers in relation to the timeline. Whether you're recording your click on each take or not, you can use one of two simple ways to jump from a 1/4 note to an 1/8 note using the Click II plug-in or Time Operations window in Pro Tools.

Film Scoring and the Studio

June 4, 2018, 04:52 AM

https://sonicscoop.com/2018/06/04/film-scoring-stu...

And composer Ariel Marx knew that already. A fast-emerging composer, the NYC-based Marx can play many instruments, but she clearly has a string affinity, deployed most recently on the new film To Dust starring Géza Röhrig and Matthew Broderick. That’s where she wields her mastery of violin and viola via innovative ways, taking them to a sinister space.

Video Tutorial: Which Microphone Should You Use?

June 1, 2018, 03:10 PM

https://www.premiumbeat.com/blog/what-microphone-s...

Good audio can make or break your project, but with so many available options, how do you know which one you should use, and why? Choosing the ...

4 Techniques for Hiding Lav Mics

June 1, 2018, 09:12 AM

https://jeffvlog.wordpress.com/2018/06/01/4-techni...

In many cases, having a boom operator follow your actors around with a mic is an excellent way to pick up dialogue, but if for some reason a boom won’t work (like, if you want to record audio in a wide shot), a lav mic most likely will. Having trouble hiding your lavalier mics on set? Try one of these 4 methods to get that lav out of the shot…

Designing Deadpool 2's Superhero Sound

May 31, 2018, 08:57 AM

https://www.asoundeffect.com/deadpool-2-sound/

Deadpool 2 is a huge hit around the world, and its soundscape is just as action-packed as the rest of the movie.

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