To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Color Chat: Light Iron’s Corinne Bogdanowicz

October 31, 2019, 12:49 PM

https://postperspective.com/color-chat-light-irons...

Corinne Bogdanowicz colorist at Light Iron, joined the post house in 2010 after working as a colorist and digital compositor for Post Logic/Prime Focus, Pacific Title and DreamWorks Animation. Bogdanowicz, who comes from a family of colorists/color scientists (sister and father), has an impressive credit list, including the features 42, Flight, Hell or High Water, Continue reading → October 30, 2019 The post Color Chat: Light Iron’s Corinne Bogdanowicz appeared first on postPerspe...

MINDHUNTER - Season 2: VFX Breakdown

October 31, 2019, 12:48 PM

https://www.artofvfx.com/mindhunter-season-2-vfx-b...

The California based studio Artemple Hollywood presents their invisible work on the second season of MINDHUNTER...

New York City’s School of Visual Arts Buys 30 EV

October 31, 2019, 12:48 PM

https://www.provideocoalition.com/new-york-citys-s...

New York City’s School of Visual Arts (SVA) has purchased 30 AU-EVA1 5.7K cinema cameras for instruction/production throughout its BFA Film program. The cameras are allocated to all cinematography and production... The post New York City’s School of Visual Arts Buys 30 EVA1 5.7K Cameras appeared first on ProVideo Coalition.

Experience Panavision’s End-to-End Ecosystem

October 30, 2019, 10:40 PM

https://www.aotg.com/experience-panavisions-end-to-end-ecosystem/

PanaVillage Exhibit Space Demonstrates Integrated Tools and Technology from Panavision, LEE Filters, Light Iron, Panalux, and Direct Digital

#post production#cameras#cinematography#panavision#camerimage
RØDECaster honors iconic RE20 mic with a preset

October 30, 2019, 08:44 PM

https://www.provideocoalition.com/rodecaster-honor...

Some may ask: “Has hell frozen over?” when they hear this announcement from RØDE Microphones

SCARY STORIES TO TELL IN THE DARK: VFX

October 30, 2019, 08:44 PM

https://www.artofvfx.com/scary-stories-to-tell-in-...

If you like monsters, then don’t miss this interesting making of by Mr. X featuring VFX Supervisor Matt Glover and Animation Supervisor Cristian Camaroschi about the creation of the monsters for SCARY STORIES TO TELL IN THE DARK...

ISF for Motion Wraps GLSL Shaders Into Plugins for

October 30, 2019, 08:44 PM

http://www.fcp.co/final-cut-pro/news/2220-isf-for-...

Want to get a bit more creative with plugins in Final Cut Pro X and Motion? ISF for Motion allows the user to write and load their own GLSL shaders into generators, effects, and transitions for Motion and Final Cut Pro X.

Midweek Motivations: VFX Explained Episode 01

October 30, 2019, 08:44 PM

https://www.toolfarm.com/news/midweek-motivations-...

Check out the new YouTube show, VFX Explained – Diving into the Hollywood Effects, from Host and Creator Ignace Aleya. Ignace has been putting up VFX videos and some fantastic Adobe Premiere Pro and After Effects tutorials on his YouTube channel for a few years.

Editor Gary Dollner, ACE (Killing Eve, Fleabag, Th

October 30, 2019, 01:16 PM

https://www.youtube.com/watch?v=LQqRzV0d_B8

Gary Dollner on the correlation between the amount of time spend cutting and how good a sequence becomes. https://www.avid.com/the-art-of-editing Follow Avid Media Composer: https://facebook.com/avidmediacomposer https://instagram.com/avid.mediacomposer https://twitter.com/mediacomposer https://www.linkedin.com/company/avid-technology https://www.snapchat.com/add/avidtechnology

VFX house Blacksmith now offering color grading, a

October 30, 2019, 01:15 PM

https://postperspective.com/vfx-house-blacksmith-n...

New York-based visual effects studio Blacksmith has added colorist Mikey Pehanich to its team. With this new addition, Blacksmith expands its capabilities to now offer color grading in addition to VFX. Pehanich has worked on projects for high-profile brands including Amazon, Samsung, Prada, Nike, New Balance, Marriott and Carhartt. Most recently, Continue reading → October 28, 2019 The post VFX house Blacksmith now offering color grading, adds Mikey Pehanich appeared first on postPerspe...

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