To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Editing a VFX Intensive Netflix Movie - Lawrence J
October 23, 2019, 01:09 PM
https://www.youtube.com/watch?v=_pnBW0ee7AA
Recorded live at the September 2019 lacpug Meet; Editor Lawrence Jordan ACE and VFX editor Jose Marra showed us their editing process on the VERY heavy VFX movie starring Marlon Wayons, SEXTUPLETS, where Marlon Wayons plays seven characters.
Create Your Own Movie Color Chart With Blender
October 23, 2019, 01:08 PM
https://lesterbanks.com/2019/10/create-your-own-mo...
CG Matter shows how you can easily create a color chart from any movie footage. We’ve all most likely seen the color charts derived from all the shots in a film. It makes for a
2019 ELLIE AWARDS – TICKETS ON SALE!
October 23, 2019, 01:08 PM
https://www.screeneditors.com.au/2019-ellie-awards...
De-aging John Goodman 30 years for HBO’s The Rig
October 23, 2019, 01:08 PM
https://postperspective.com/de-aging-john-goodman-...
For HBO’s original series The Righteous Gemstones, VFX house Gradient Effects de-aged John Goodman using its proprietary Shapeshifter tool, an AI-assisted tool that can turn back the time on any video footage. With Shapeshifter, Gradient sidestepped the Uncanny Valley to shave decades off Goodman for an entire episode, delivering nearly 30 minutes of film-quality VFX in six weeks. Continue reading → October 22, 2019 The post De-aging John Goodman 30 years for HBO’s The Righteous Gems...
Multi-award Winning Production Company Delivering
October 23, 2019, 01:07 PM
http://www.fcp.co/final-cut-pro/articles/2219-mult...
If you want to implement a powerful new technology in your existing production pipeline, you also should be willing to step out of your comfort zone, and to adapt your workflows, so that every aspect of your production process can fully benefit from this new technology. That's what the post-production team of Producciones del Barrio in Barcelona has been doing since they moved to Final Cut Pro in 2016.
EchoRemover 2 for FCP X, Premiere Pro, Logic Pro,
October 23, 2019, 01:07 PM
https://fxfactory.com/blog/effects-2/echoremover-2...
Plugin for removing echo from your videos and podcasts.
Let’s Edit with Media Composer – Working with
October 23, 2019, 01:07 PM
https://www.provideocoalition.com/lets-edit-with-m...
In this lesson Kevin P McAuliffe talks about working with Continuum 2019’s Lens Flare 3D inside of Avid Media Composer. When editors think of Lens Flares, they think of JJ Abrams type lens flares that are more stylistic than anything. Lens Flares do add a stylistic look to your footage, but they can also be... The post Let’s Edit with Media Composer – Working with Lens Flare 3D appeared first on ProVideo Coalition.
Understanding 3D Camera Tracking: Part 5
October 23, 2019, 01:06 PM
https://cgi.tutsplus.com/tutorials/understanding-3...
Understanding 3D Camera Tracking: Part 5
Art of the Cut Podcast Eps. 18 (w/ “Zombieland:
October 23, 2019, 01:06 PM
https://www.provideocoalition.com/art-of-the-cut-p...
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into your car, living room, editing suite and beyond. In each episode, Steve talks with editors ranging from emerging stars to Oscar and Emmy winners. Hear from the top editors of today about their careers, editing workflows... The post Art of the Cut Podcast Eps. 18 (w/ “Zombieland: Double Tap” Editors Chris Patterson & Dirk Westervelt, ACE) appeared first on ProVideo Coali...
Like you're there
October 22, 2019, 07:34 PM
https://beforesandafters.com/2019/10/23/like-youre...
At SIGGRAPH in LA this year, Epic Games was privately demo’ing ‘Apollo 11: Mission AR’ experience that was built for the Microsoft HoloLens 2 with Unreal Engine. I tried it out, and it really was incredible.
Newest from AOTG.com
-
Daniel George McDonald on Editing Cheer's Season 2 Finale
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
-
Editing The Black Lady Sketch Show
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
-
Philip White on Crafting A Madea Homecoming's Music
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
Site Links
Tools
Sister Sites
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.