To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Going to lunch with my coworker like
December 6, 2017, 12:37 PM
http://renderplease.com/post/168259011575
Rayman: Fun, sound & music – An interview with F
December 6, 2017, 12:37 PM
http://designingsound.org/2017/12/rayman-fun-sound...
Released in 2011 and 2013 (up until the recent Switch release), Rayman Origins and Legends were welcoming returns to the platforming genre for the armless hero, powered by Ubisoft’s own 2D engine, the magical UbiArt Framework. Sound-wise, while the crazy and catchy tunes wrote by Christophe Héral received numerous well-deserved praise among the years, I […]
Review: Red Giant Trapcode Suite 14
December 6, 2017, 12:37 PM
http://postperspective.com/review-red-giant-trapco...
By Brady Betzel Every year we get multiple updates to Red Giant’s Adobe After Effects plug-in behemoth, Trapcode Suite. The 14th update to the Trapcode suite is small but powerful and brings significant updates to Version 3 of Trapcode as well as Form (Trapcode Form 3 is a particle system generator much like Particular, Continue reading → December 6, 2017 The post Review: Red Giant Trapcode Suite 14 appeared first on Randi Altman's postPerspective.
Nick Characters Go CG in Winter Refresh
December 6, 2017, 09:02 AM
http://www.studiodaily.com/2017/12/nick-characters...
Aardman Nathan Love envisioned animated characters from SpongeBob SquarePants, Henry Danger and The Thundermans as Rankin/Bass-style stop-motion figures animated on the twos (every other frame is repeated) in this all-CG series of holiday-themed promos. CREDITS For Nickelodeon: SVP Art + Design: Michael Waldron SVP Creative Promotions: Tony Maxwell VP Animation + Motion Graphics: Kurt Hartman […] The post Nick Characters Go CG in Winter Refresh appeared first on Studio Daily.
CAPIT anunció las nominaciones para los Premios T
December 6, 2017, 09:02 AM
http://saeditores.org/Novedades/CAPIT-anuncio-las-...
La Cámara Argentina de Productoras Independientes de Televisión (CAPIT) dio a conocer las nominaciones para los Premios Tato a la excelencia televisiva, que galardonan lo más distinguido de la televisión argentina emitido durante 2017.
DEAD MEN TELL NO TALES VFX Breakdown
December 6, 2017, 09:01 AM
http://www.artofvfx.com/pirates-of-the-caribbean-d...
Have a look at this VFX Breakdown by Atomic Fiction about their work on PIRATES OF THE CARIBBEAN – DEAD MEN TELL NO TALES:
THE EXPANSE - Season 2: VFX Breakdown by Oblique F
December 6, 2017, 09:01 AM
http://www.artofvfx.com/the-expanse-season-2-vfx-b...
Montreal based studio Oblique FX presents their work on THE EXPANSE...
The S.P.A.A.C.E. Program Edited in DaVinci Resolve
December 6, 2017, 08:04 AM
https://www.aotg.com/the-s-p-a-a-c-e-program-edited-in-davinci-resolve/
Blackmagic Design today announced that Director, Editor, Colorist and Post Supervisor Alex Ferrari used Blackmagic URSA Mini Pro digital film cameras and DaVinci Resolve Studio to shoot, edit, grade and finish the streaming series “The S.P.A.A.C.E. Program.”
#editing#color grading#post production#color correctionDaVinci Resolve Studio Used on 'Girls' Music Video
December 6, 2017, 07:57 AM
https://www.aotg.com/davinci-resolve-studio-used-on-girls-music-video/
Blackmagic Design today announced that Blackmagic URSA Mini Pro and DaVinci Resolve Studio were used for popular singer Kana Nishino’s new music video for her song “Girls.” Nobu Sueyoshi both directed and shot the video, and Toru Miura, a colorist and DIT from Spice Inc., provided color correction.
#color grading#post production#color correctionSpielberg's Post; Critics Awards; Lady Bird Soars
December 6, 2017, 05:37 AM
http://www.blogtalkradio.com/moviegeeksunited/2017...
The Movie Geeks discuss the recent crop of film critic award recipients, and review the latest releases including Steven Spielberg's The Post, Three Billboards outside Ebbing, Missouri, Lady Bird, Roman J. Israel, Esq., and Molly's Game. Plus, the premiere of Jon Brion's score to Lady Bird.
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