It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 30, 2020, 02:46 PM
https://www.premiumbeat.com/blog/3d-card-effect-af...
Learn how to create a 3D trading card entirely in After Effects. Tutorial includes a free downloadable project file!
December 30, 2020, 02:46 PM
https://www.premiumbeat.com/blog/after-effects-rip...
Want to add punch to your logo animation? Check out this After Effects tutorial showing you how to create a cool ripple effect!
December 29, 2020, 02:08 PM
https://www.premiumbeat.com/blog/5-film-pacing-sec...
Learn more about pacing your story at every stage of production, and how can you use it to keep film and video projects at the right tempo.
December 28, 2020, 06:33 PM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
The Best Title Sequences of 2020 It’s been a year like no other. A year when so many of us turned to screens to connect or, indeed, to disconnect; when we ached for a dollop of entertainment, a moment of escape or a dose of comfort, for something familiar or something completely new. This year, for Art of the Title’s seventh annual list of the year’s top 10 title sequences, we’re doing something new. We reached out to our community to pull in new voices and to expand the team that ...
December 28, 2020, 06:33 PM
https://www.provideocoalition.com/aotc-ma-rainey/
Today on Art of the Cut we’ll be hearing from Andrew Mondshein, ACE, who edited the recently released Netflix production, Ma Rainey’s Black Bottom – a film based on August Wilson’s Pulitzer Prize-winning play. Andrew has had an illustrious career, editing since 1984 on films like Desperately Seeking Susan, What’s Eating Gilbert Grape, The Sixth [...]Read More...
December 24, 2020, 03:15 PM
https://www.provideocoalition.com/art-of-the-cut-p...
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into your car, living room, editing suite and beyond. In each episode, Steve talks with editors ranging from emerging stars to Oscar and Emmy winners. Hear from the top editors of today about their careers, editing workflows [...]Read More...
December 22, 2020, 03:52 PM
https://www.aotg.com/disneys-safety-uses-davinci-resolve-studio/
Blackmagic Design announced today that the Disney motion picture “Safety” utilized a complete DaVinci Resolve Studio workflow from principal photography through final delivery, incorporating an innovative digital asset management (DAM) system on set built around Blackmagic Design’s switchers, recorders, routers and monitors. The film had its premiere on Disney+ this month.
#blackmagic design#davinci resolve studio#hyperdeck studio miniDecember 21, 2020, 03:38 PM
https://www.aotg.com/werner-herzogs-editor-marco-capalbo/
Gordon sits down with Marco Capalbo to discuss editing for Werner Herzog and crafting Fireball: Visitors from Darker Worlds. How does Werner craft the structure, how do they decide what the V/O should be, and more importantly, the prickly topic of the implications of the Voice of God style documentaries?
December 21, 2020, 03:37 PM
https://www.aotg.com/the-editing-and-sound-design-of-the-sound-of-metal/
Editor Mikeel Nielsen and Sound Designer Nicolas Becker discuss creating the film The Sound of Metal. We explore how to make a movie internationally when the entire crew is located in separate countries.
December 21, 2020, 01:54 PM
https://sabzian.be/text/living-matter
I never made a decision to become a film editor – or, in any case, I didn’t decide upon it at a young age and follow a single career path. It’s important to say this because too often young people are asked to have a well-defined and realistic life plan, prove their efficiency, and know how to sell themselves.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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