It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
November 25, 2017, 07:58 AM
https://www.theguardian.com/media/2017/nov/21/blue...
The makers of Blue Planet II used a normal television while editing the soundtrack of the programme because of concerns that viewers would complain about the narration not being audible.
November 25, 2017, 07:58 AM
https://ideas.ted.com/how-color-helps-a-movie-tell...
A sunny, hopeful yellow. An introspective turquoise. An arresting, violent red. When you see a color in a film, what you see is no accident — filmmakers carefully compose each frame and make color decisions that affect your experience of watching, even if you don’t realize it. Here are the ways in which filmmakers use color to deepen narrative.
November 24, 2017, 06:27 PM
http://www.avidblogs.com/a-day-and-night-in-the-li...
The article A Day (and Night) in the Life of File-Based Post by Matthew Schneider appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..
November 24, 2017, 06:27 PM
http://www.avidblogs.com/avid-learning-partner-new...
The article Avid Learning Partner Newsletter — December 2017 by Ashleigh Davies appeared first on Avid Blogs - The media industry is changing fast. Get the insight you need to succeed—read Avid Blogs..
November 24, 2017, 02:54 PM
http://lesterbanks.com/2017/11/action-pro-record-r...
HitFilm Studio Offers a New Product Category With Action Pro for Recording Real-Life Motion HitFilm Studio Adds a new class of product with the bundle. Action Pro is brand-new motion building software that allows you The Post HitFilm’s Action Pro Offers a Way to Record Real World Motion originally appeared and published on %%BLOGLINK%,by lesterbanks
November 24, 2017, 10:16 AM
http://www.digitalproductionbuzz.com/2017/11/trans...
HOST Larry Jordan GUESTS J.J. Kelley, Senior Producer and Correspondent, National Geographic Tom Coughlin, President, Coughlin Associates, Inc. John Pritchard, Founder/Director, The One Heart – One Spirit Project Terence Curren, Founder/President, Alpha Dogs Inc. James DeRuvo, Senior Writer, DoddleNEWS == Announcer: The Digital Production Buzz is brought to you by KeyFlow Pro, media asset management software, designed to meet the needs of work groups at an affordable price.…...
November 24, 2017, 10:16 AM
http://designingsound.org/2017/11/in-the-field-wit...
I’ve heard some really great things in the past about the Wild Eyes recording workshop. Our own Luca Fusi did a write up about his experience. We’ve also recently heard about other similar workshops in South Africa and Australia. While it’s great to see the availability of these, my schedule is so unpredictable that it’s […]
November 24, 2017, 10:15 AM
http://lesterbanks.com/2017/11/get-rid-wiggling-fi...
Jonas Pilz Shows How to Fix Connectors That Don’t Behave as They Should in a Simulation You have set up a Voronoi Fracture simulation in Cinema 4D, and you have designated which parts of the The Post How to Get Rid of Wiggling Fixed Connectors in C4D originally appeared and published on %%BLOGLINK%,by lesterbanks
November 24, 2017, 10:15 AM
https://www.cnet.com/news/downsizing-editor-kevin-...
Movie editor Kevin Tent reveals what he learned from Roger Corman, how he edited an Oscar-winning movie on a train and why he doesn't miss film.
November 24, 2017, 06:55 AM
http://saeditores.org/Novedades/La-SAE-auspiciara-...
Por primera vez, la SAE auspiciará una actividad fuera de nuestro país: se trata del 11º Festival Internacional de Cine Documental de Uruguay (AtlantiDoc 2017), que se llevará a cabo en la ciudad uruguaya de Atlántida, entre el 4 al 9 de diciembre de 2017.Se trata de un espacio pensado para la exhibición del mejor cine documental, con una programación basada en más de 80 títulos de todas las latitudes, con obras de distintas duraciones y un enfoque orientado a las producciones ...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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