It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 1, 2016, 11:54 AM
https://www.aotg.com/create-an-instant-replay-fcp-x/
During this session, Larry Jordan illustrates dozens of ways to change the speed of a clip, starting with a very simple hold frame in the Timeline, then moving into far more flexible – and weird – speed effects.
March 1, 2016, 11:53 AM
http://www.videoguys.com/blog/rave-review-for-bori...
Here’s a strong case for plug-in use from Avid Media Composer editor, Brady Betzel. Boris FX Continuum Complete 10 gives Avid editors and finishers access to a comprehensive VFX and compositing plug-in suite. Included are 230+ filters include 3D Objects such as Extruded Text, 3D particle effects, image restoration tools, lens flares and lights, award-winning Read More The post Rave Review for Boris FX’s BCC 10 for Media Composer appeared first on Videoguys Blog.
March 1, 2016, 11:53 AM
http://www.provideocoalition.com/art-of-the-cut-wi...
Lee Smith, ACE, most recently cut the Bond flick, "Spectre" but has also cut “Master and Commander,” “Batman Begins,” “The Dark Knight,” and “Interstellar” and many others. He also has two Oscar nomination for Best Editing.
March 1, 2016, 05:42 AM
http://feedproxy.google.com/~r/artofthetitle_rss/~...
“Would you put day drinking under experience or special abilities?” — Jessica Jones ...
March 1, 2016, 05:42 AM
https://www.aotg.com/doug-blush-on-sundance-2016/
Documentary editor and producer, Doug Blush graced LACPUG with his presence and spoke about his experiences at the Sundance Film Festival. Doug in particular spoke on the just released HBO Doc, Jim: The James Foley Story.
March 1, 2016, 05:42 AM
http://www.provideocoalition.com/get-started-fast-...
With the move to larger then HD projects, there have been some changes in Media Composer that editors need to get accustomed to, one of which is that we've lost the use of both the Title Tool AND the Marquee Tool. Not to worry, though, as NewBlueFX's Titler Pro is included in your subscription or perpetual license. Let's see how it works!
February 29, 2016, 05:27 PM
http://www.creativeplanetnetwork.com/flink/613168
A sort of real-life Sicario, Matthew Heineman’s Oscar-nominated Cartel Land follows the cartel wars on both sides of the American-Mexican border.
February 29, 2016, 02:05 PM
http://renderplease.com/post/140223078575
We’re like:
February 29, 2016, 02:05 PM
http://blog.devoncroft.com/2016/02/29/avid-restruc...
Avid Technologies said in regulatory filings that it has committed to a restructuring plan, which includes “reductions in workforce, facility consolidation, transferring resources to lower cost regions and reducing other third-party services costs.”
February 29, 2016, 11:26 AM
http://postperspective.com/behind-the-title-editor...
NAME: Bob Mori WHAT’S YOUR JOB TITLE? I’m a film editor working in commercials, feature films and experiential media projects. My experience is with brands such as Nike, BMW, Time-Warner, Ford, Jeep, Coca-Cola, Scion, Altoids, LG, Sega, Dyson,Warner Bros., USPS, Continue reading → February 29, 2016 The post Behind the Title: Editor Bob Mori appeared first on postPerspective - Randi Altman's postPerspective.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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