To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
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Much has been written about utilizing your time to the best of your ability, and I’ve tried most of it. So, I thought it’d be helpful to go over the things that have stuck with me, allowing me to run a production company and make over 200 YouTube videos — over the last two years.
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Boutique VFX studio contributes to videos for many of the top nominees and performers in this year’s awards competition. ATLANTA—Ariana Grande, Cardi B, H.E.R., Lizzo and Normani are not only among the top contenders in this year’s MTV Video Music Awards, all are also beneficiaries of the magic of MOD. The boutique visual effects studio ...
Meet the Colorist: Jérôme Cloutier, Mels, Montre
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https://www.studiodaily.com/2019/08/meet-colorist-...
A well-established Canadian colorist, Jérôme Cloutier started his career as a Flame artist working in advertising before moving to color-grading at an advertising post house in Montreal. The post Meet the Colorist: Jérôme Cloutier, Mels, Montreal appeared first on Studio Daily.
Archiware hosts LumaForge & Backblaze at IBC 2019
August 27, 2019, 03:36 AM
https://www.aotg.com/archiware-hosts-lumaforge-backblaze-at-ibc-2019/
Archiware, manufacturer of Archive and Backup software for the Media & Entertainment industry, showcases its latest advancements at the IBC 2019 in Amsterdam from September 13th - 17th. Highlights include a preview of Archiware P5 version 6, new integrations with KYNO by Lesspain Software, EditShare and Quantum iBlade Libraries, as well as live product demonstrations. Trusted partners LumaForge and Backblaze join Archiware at its booth 7.D35.
#archive#backup#data management#synchronize#ibc 2019How to Build a Bulge Deformer Compound With Bifros
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https://lesterbanks.com/2019/08/how-to-build-a-bul...
Learn how to make a basic bulge deformer compound with Maya’s new Bifrost Graph. You’ve probably looked at a few Maya’s Bifrost vids and displayed both excitement and perplexity at the same time. Bifrost is
Nitecore Superior Prime: a completely new line of
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Featuring interchangeable PL, Canon EF and Sony E mounts for the needs of different camera users, the Nitecore Superior Prime family of full frame lenses offers five focal lengths from 25 to 100mm. Nitecore is a company known for its illumination products. The company claims it has the most innovative designs and best user experience... The post Nitecore Superior Prime: a completely new line of Cinema lenses appeared first on ProVideo Coalition.
After Effects Classic Course: Color Stabilizer
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While discussing color-oriented plug-in effects, one of the more common tasks we’ve covered is fixing color imbalances in an image. Well, what do you do if that imbalance changes over time? You can keyframe your changes to match the changes in the footage and hope you don’t get odd pulsing or flickering…or in some cases,... The post After Effects Classic Course: Color Stabilizer appeared first on ProVideo Coalition.
Create 3D Wireframes With Stardust in After Effect
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https://lesterbanks.com/2019/08/create-3d-wirefram...
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Laboring on Labor Day: Recover Mondays Round 2
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