It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 6, 2016, 01:35 PM
http://www.provideocoalition.com/still-shipping-ha...
Transporting footage from set, between editors and for final delivery has been necessary since the dawn of filmmaking. While the digital filmmaking era has made much of the post-production process easier and brought many new creative possibilities, the critical step of moving assets between people and locations hasn’t improved at all for most smaller media teams. For many of them, the default option is still “put it on a drive”, which is a process that impacts the bottom line in variou...
January 6, 2016, 01:35 PM
https://www.aotg.com/history-of-visual-communication-discussion-1/
I am in the process of retaking my History of Visual Communication class due to needing a leave of absence from school last November. This is my new video answering the introduction questions for the first discussion assignment.
January 6, 2016, 10:44 AM
http://www.marketwired.com/press-release/season-tw...
Adorama today premiered season two of its popular online series “Through The Lens.” Making its official debut this past July, the YouTube show documents some of Instagram’s most popular photographers, featuring a different artist in every episode. While season one of the show focused on New York photographers and culture, season two goes nationwide, showcasing Instagram’s top accounts from all over the country.
#documentary#youtube#photography#iphoneography#instagramJanuary 6, 2016, 10:29 AM
http://www.btlnews.com/awards/contender-editor-dav...
Editor David Rosenbloom was recommended to director Scott Cooper by both Relativity Media executive Robbie Brenner and Crazy Heart editor Jeffrey Ford, who was unavailable to work on Black Mass, the true story based upon the life of Whitely Bulger (Johnny Depp), the infamous Boston criminal and FBI informant. The post Contender – Editor David Rosenbloom, Black Mass appeared first on Below the Line.
January 6, 2016, 10:28 AM
http://news.doddleme.com/blogs/post-production/avi...
When working in Avid Media Composer, you have the ability to attach multiple hard drives to your system. The big question remains: How do you decide what assets (media, renders, effects, etc.) you want to go on what drives? Well, that’s where the Media Creation Tool comes into play.
January 6, 2016, 07:19 AM
https://www.aotg.com/types-of-film-cuts/
This was a project that I worked on for an editing class in film school. We had to identify specific examples of various types of cuts. I actually got the "before action" cut wrong. My example from Lord of the Rings was more of a reaction cut.
January 5, 2016, 05:25 PM
http://tracking.feedpress.it/link/9766/2291073
January 5, 2016, 05:23 PM
https://events.creativecow.net/event/4179/
We're thrilled to begin 2016 as we welcome back film editor Alan Edward Bell, A.C.E. for a special conversation on his work and career.
January 5, 2016, 12:50 PM
http://www.btlnews.com/awards/contender-editor-ste...
The success of The Revenant, the story of a fur trapper, Hugh Glass, on a mission of revenge after his son is murdered and he is left for dead in the frozen wilderness, is largely carried by the singular, and often non-verbal, performance of Leonardo DiCaprio. Editor Stephen Mirrione, tasked with shaping that performance, developed an even deeper appreciation for what DiCaprio was able to accomplish. The post Contender – Editor Stephen Mirrione, The Revenant appeared first on Below the Line.
January 5, 2016, 12:49 PM
http://renderplease.com/post/136685046585
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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