To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

NAB Show New York: FOR-A Booth to Highlight Video

October 13, 2017, 05:00 AM

http://www.broadcastbeat.com/nab-show-new-york-for...

At the upcoming NAB Show New York, FOR-A® will showcase some of its popular video switcher, graphics and signal processing solutions. FOR-A will exhibit in booth N224 at NAB Show New York, which takes place October 18-19 at the Javits Convention Center. “NAB Show New York gives us the opportunity to connect with many current ...

The Synth Sounds of Blade Runner

October 12, 2017, 12:10 PM

http://www.studiodaily.com/2017/10/synth-sounds-bl...

Using a variety of instruments and techniques, Reverb.com’s Justin DeLay walks viewers through the layers of synts in the Vangelis score for the original Blade Runner. Be sure to read the YouTube comments for additional discussion centered on getting closer to that vintage Vangelis synth sound. The post The Synth Sounds of Blade Runner appeared first on Studio Daily.

The Importance of Being Ernest: A Title Design Ret

October 12, 2017, 05:44 AM

http://feedproxy.google.com/~r/artofthetitle_rss/~...

Lightning strikes. The organ clangs. A long-faced, ball-capped man rises into the frame, his eyes bulging and his head trembling in fright. For the next two minutes and 20 seconds, this man’s impossibly elastic face – framed in close-ups as intimate as The Passion of Joan of Arc – will embody a spectrum of emotions: arrogance, befuddlement, trepidation, distaste, and deep, primal fear. In Sunset Boulevard, the faded silent queen Norma Desmond says, “We didn’t need dialogue – we h...

Christina Humphries Shows Anomaly and Sport Chek H

October 11, 2017, 05:01 PM

https://roosterpost.wordpress.com/2017/10/11/chris...

Whenever we think life x style we immediately think of editor Christina Humphries. And good thing, because Anomaly and client Sport Chek were thinking the same way when they teamed Christina up with Circle Productions director Amos Leblanc. Not only did she deliver a great cut, she created some pretty jumped-up graphics too.   Client: […]

How to Create Edge Extension in Fusion, Fixing Z-D

October 11, 2017, 11:57 AM

http://lesterbanks.com/2017/10/edge-extension-fusi...

Vito LaManna Shows How to Create an Edge Extension in Fusion, Perfect for Fixing Keying Issues and Z-Depth Troubles A common compositing trick is to extend the edges of a matte. It’s a great way The Post How to Create Edge Extension in Fusion, Fixing Z-Depth Issues originally appeared and published on %%BLOGLINK%,by lesterbanks

Aubrey Woodiwiss joins Carbon LA as lead colorist

October 11, 2017, 11:56 AM

http://postperspective.com/aubrey-woodiwiss-joins-...

Full-service creative studio Carbon has added colorist Aubrey Woodiwiss as senior colorist/director of color grading to their LA roster. He comes to Carbon with a portfolio that includes spots for Dulux, NBA 2K17, Coors and Honda, and music videos for Beyonce’s Formation, Continue reading → October 11, 2017 The post Aubrey Woodiwiss joins Carbon LA as lead colorist appeared first on Randi Altman's postPerspective.

Testing Logickeyboard's Illuminated Final Cut Pro

October 11, 2017, 11:56 AM

http://www.fcp.co/final-cut-pro/articles/2006-test...

We love to test hardware and software here at FCP.co. So when a new backlit Astra Final Cut Pro X keyboard from Logickeyboard arrived, it didn't stay in the box for long.

Adobe Introduces NEW VR Workflows in AE

October 11, 2017, 11:56 AM

https://www.mettle.com/ibc-2017-adobe-introduces-n...

Adobe unveiled new features for Premiere Pro and After Effects related to 360/VR during IBC 2017. A lot of the new additions were centered around the acquisition on the Skybox Studio plugins from Mettle and their inclusion inside Premiere Pro and After Effects.

VFX Men & Women Assemble!

October 11, 2017, 11:56 AM

https://www.fxguide.com/quicktakes/vfx-men-and-wom...

If you work in Visual Effects in the UK (and especially at DNeg, ILM, MPC and Framestore), it's likely you saw green people on the way in to work today. You're not just seeing things from working or playing too much, they really were there! Their mission was to pass out flyers and raise awareness for a new union organizing effort called VFX Assemble!

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