To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

ART OF THE CUT with mega-movie editor, Roger Barto

July 17, 2019, 01:05 PM

https://www.provideocoalition.com/aotc-barton/

Roger Barton has edited many of the biggest and most iconic films in Hollywood history. As an associate editor, he worked on Titanic and Armageddon. His films as editor include, Gone in 60 Seconds, Pearl Harbor, Star Wars: Episode III – Revenge of the Sith, Eragon, Speed Racer, all four Transformer movies, Pirates of the... The post ART OF THE CUT with mega-movie editor, Roger Barton appeared first on ProVideo Coalition.

Creating and mixing authentic sounds for HBO’s D

July 17, 2019, 01:05 PM

https://postperspective.com/creating-mixing-authen...

By Jennifer Walden HBO’s award-winning series Deadwood might have aired its final episode 13 years ago, but it’s recently found new life as a movie. Set in 1889 — a decade after the series finale — Deadwood: The Movie picks up the threads of many of the main characters’ stories and weaves them together as the town of Deadwood celebrates the statehood of South Dakota. Continue reading → July 17, 2019 The post Creating and mixing authentic sounds for HBO’s Deadwood movie appea...

Evolphin Adds Automatic Video Editing and Other AI

July 17, 2019, 01:05 PM

https://www.studiodaily.com/2019/07/evolphin-adds-...

Evolphin announced a new set of tools for working with AI, including integration of widely used AI tools with its Zoom media asset management system (MAM) and the ability to automatically edit videos using AI-generated metadata. “We built an AI integration engine that can plug into any AI service that you want to use,” Evolphin VP […] The post Evolphin Adds Automatic Video Editing and Other AI-Driven Features to Zoom MAM appeared first on Studio Daily.

Foundry Names Jody Madden CEO

July 17, 2019, 01:04 PM

https://www.studiodaily.com/2019/07/foundry-names-...

VFX software maker Foundry said Jody Madden is the company’s new CEO, effective immediately. She replaces Craig Rodgerson in the role. Madden, who was most recently Foundry’s chief customer officer and chief product officer, replaces Craig Rodgerson in the role. Her resume before joining Foundry in September 2013 included multi-year stints at Digital Domain and […] The post Foundry Names Jody Madden CEO appeared first on Studio Daily.

How to Render Foliage in Arnold

July 17, 2019, 01:04 PM

https://lesterbanks.com/2019/07/how-to-render-foli...

Damon Lavenski posts a multi-part tutorial on how to render foliage With Arnold Renderer. There are lots of components that go into creating nice or realistic renders. It’s not just shaders, maps or lighting; it’s

AE & Mocha Pro - Reverse Stabilization Workflow

July 17, 2019, 09:56 AM

https://vimeo.com/348133505

Use Mocha Pro's planar tracking to reverse stabilize your shots for clean-ups and more. Mocha Pro 2019 now includes the CC Power Pin export format, making a simple workflow to achieve a "stabilized pre-comp" workflow for compositing tasks.

What’s the Difference Between Scripts, Extension

July 17, 2019, 09:55 AM

https://lesterbanks.com/2019/07/whats-the-differen...

Nathan Lovell clarifies the differences between scripts, extensions, and plugins in After Effects. Many Adobe After Effects users will use the terms interchangeably, but they are called different things for a reason – because they

VFX veteran Jody Madden becomes new Foundry CEO

July 17, 2019, 06:42 AM

http://www.cgchannel.com/2019/07/foundry-appoints-...

Foundry’s chief product and customer officer Jody Madden (pictured above) has been appointed the new CEO of the leading visual effects and design software developer.

The Art of the Cut Podcast Eps. 4 (w/ Spider-Man:

July 17, 2019, 06:41 AM

https://www.provideocoalition.com/the-art-of-the-c...

The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into your car, living room, editing suite and beyond. In each episode, Steve talks with editors ranging from emerging stars to Oscar and Emmy winners. Hear from the top editors today about their careers, editing workflows and... The post The Art of the Cut Podcast Eps. 4 (w/ Spider-Man: Far From Home Editors Dan Lebental & Leigh Folsom-Boyd) appeared first on ProVideo Coalition.

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