To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

An interview with “This is America” editor Ern

July 15, 2019, 06:40 AM

https://www.provideocoalition.com/ernie-gilbert-in...

Recently, the music video for Childish Gambino’s This is America won one of two Grand Prix prizes in the Entertainment for Music category at Cannes. Jury president Paulette Long described the video as a cultural phenomenon, saying that “Every so often a video comes out and it points a finger and makes us admit that... The post An interview with “This is America” editor Ernie Gilbert appeared first on ProVideo Coalition.

Need to rent a computer for onsite editing?

July 15, 2019, 06:40 AM

https://www.provideocoalition.com/need-to-rent-a-c...

A week of editing video, in a hotel, for a conference brought to my attention a company called RentAComputer.com. I had never heard of them before and I have no idea how long they have been around but it was a fantastic option for what we needed. Show up at a hotel, shoot video on-site... The post Need to rent a computer for onsite editing? appeared first on ProVideo Coalition.

How to Create an Infinite Floor with Superluminal

July 14, 2019, 06:08 AM

https://lesterbanks.com/2019/07/how-to-create-an-i...

Gui Esp shows how you can create an infinite floor with Superluminal Stardust in Adobe After Effects. With modern renderers, the infinite floor object kind of went the way of the dodo. Still, if you

Gregory Reese Joins a52 Color

July 13, 2019, 08:27 AM

https://www.studiodaily.com/2019/07/gregory-reese-...

Gregory Reese has become the newest colorist on the roster at Santa Monica’s a52 Color. Reese arrives at a52 after working as a colorist at The Mill for eight years, spending some of that time with a52 Color Executive Producer Thatcher Peterson, also a veteran of The Mill. His resume includes commercial credits for brands […] The post Gregory Reese Joins a52 Color appeared first on Studio Daily.

How to Get Motion Blur from TurbulenceFD and Redsh

July 12, 2019, 12:37 PM

https://lesterbanks.com/2019/07/how-to-get-motion-...

Teddy Gage shows how to get motion blur from a TurbulenceFD sim when using Redshift. Redshift is relatively new compared to TurbulenceFD, the longstanding fluid dynamics simulation tool for Cinema 4D. So there is no

How to Use a Single Filter Layer for Multiple Volu

July 12, 2019, 12:37 PM

https://lesterbanks.com/2019/07/how-to-use-a-singl...

Jonas Pilz shows off another volumes quick tip in C4D using a single filter for multiple volumes. There might be times when you work with volumes in C4D that you want to smooth lots of

Sound Recordist Pete Lee Climbs Kilimanjaro with S

July 12, 2019, 09:36 AM

https://www.productionhub.com/blog/post/sound-reco...

Pete Lee is not new to working in the rugged wild. Adventure is second nature to him. A look at his resume shows the challenges he’s used to — Sound Supervisor on Special Forces: Ultimate Hell Week, Sound Recordist on Trailblazers TV Series, Sound on Man Vs. Wild Series and the list goes on. So when he was called on to scale the world’s highest free-standing mountain, while providing sound, Pete was in.

Creating Foley for FX’s Fosse/Verdon

July 12, 2019, 04:55 AM

https://postperspective.com/creating-foley-for-fxs...

Alchemy Post Sound created Foley for Fosse/Verdon, FX’s miniseries about choreographer Bob Fosse (Sam Rockwell) and his collaborator and wife, the singer/dancer Gwen Verdon (Michelle Williams). Working under the direction of supervising sound editors Daniel Timmons and Tony Volante, Foley artist Leslie Bloome and his team performed and recorded hundreds of custom sound effects to support the show’s dance sequences and add realistic ambience to its historic settings. Continue reading →...

Benefits of Choosing Animation After 12th

July 12, 2019, 02:51 AM

https://minervaindia.in/animation-multimedia/

At present, entertainment industry i.e. film and television has achieved new heights because of advances in graphics, animation and multimedia. The advertisements, Television, cartoons serials, model designs and presentation they all use animation and multimedia techniques.

#vfx#3d animation#graphic designing

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