Review: Lattice 3D LUT-Management Software

November 30, 2015, 01:25 PM

http://www.studiodaily.com/2015/11/managing-surviv...

Many of us working on broadcast programs or feature films are shooting raw and/or multiple compressed formats, with different cameras utilizing various flavors of log. These days it has become quite common to employ a hodgepodge of camcorders on a single … more » The post Review: Lattice 3D LUT-Management Software appeared first on Studio Daily.

5 Creative Ways to Use Layer Stacking in AE

November 30, 2015, 01:24 PM

https://www.rocketstock.com/blog/5-creative-ways-u...

Creating 3D text in After Effects has always been a point of contention for motion designers. Video Copilot’s Element 3D ushered in a new era of 3D motion design in After Effects, but with a $200 price tag the plugin can sometimes be cost prohibitive for users new to motion design. This is where layer stacking comes into play…

The AEs at work after the Thanksgiving holiday

November 30, 2015, 10:29 AM

http://renderplease.com/post/134273212120

Considering a hardware RAID? Here’s what you nee

November 30, 2015, 10:28 AM

http://www.macworld.com/article/3008839/storage/ha...

It’s quiz time: what’s the single most important thing in your Mac computing environment? Is it the actual Mac model you use? Is it the size of the display attached to the Mac? The speed of the CPU? The amount of memory? The size of the hard drive? The speed of and memory on the graphics card? The network connectivity?

Joe Walker on Editing Sicario and Tension

November 30, 2015, 07:15 AM

http://www.aotg.com/index.php?page=cuttingroom_181

Gordon sits down with Joe Walker (12 Years a Slave, Sicario) to discuss the editing process of Sicario. If you haven't seen the film yet, go see it and then listen to this episode.

Cutting it Close with Eddie Hamilton: Editing ‘M

November 29, 2015, 08:39 PM

http://categoryfivestudios.com/cutting-it-close-wi...

Mitch Jacobson:   This film is the greatest action movie of the summer, a real feel good film.  You must be really proud. Eddie Hamilton:   I am enormously proud of the film and how hard we worked on it.  It was a very intense 11 […]

Cutting it Close with Pietro Scalia: The Intimate

November 29, 2015, 08:39 PM

http://categoryfivestudios.com/cutting-it-close-wi...

Pietro Scalia has worked closely with several of the worlds best directors including Bernardo Bertolucci, Oliver Stone and Ridley Scott. He has won an Oscar for JFK,  Most recently he completed  The Martian, starring Matt Damon and sat down with me for a nice talk about editing films. Jacobson:  Hi, Pietro. I […]

Juan Carlos Macías (SAE) (EDA) recibe el Premio a

November 29, 2015, 08:39 PM

http://www.edaeditores.org/juan-carlos-macias-reci...

Juan Carlos Macías fue elegido para este premio en la categoría Medios Audiovisuales junto a Margarita Ariza (Expresiones Folklóricas – Artesanías); Ricardo Bartis (Teatro); Julio Bocca (Danza); Claudio Espector (Música); Hebe Uhart (Letras) y Lilian Saba (Música). El artista Juan Carlos Distéfano recibirá el Gran Premio FNA. La ceremonia de premiación se realizará lunes 30 […]

Editor Affonso Goncalves discusses 'Carol' score

November 29, 2015, 08:39 PM

http://www.goldderby.com/news/10998/affonso-concla...

"Carol,” which tells the story of a forbidden love affair between a 1950s housewife (Cate Blanchett) and a shopgirl (Rooney Mara), opens and closes with bookends reminiscent of a romantic classic, David Lean’s 1945 Oscar-nominated “Brief Encounter.” “I think that what we hoped to achieve was to show how much you have to travel in love to get what you want,” explains editor Affonso Goncalves in our audio chat (listen below).

Joe Walker on using very different tension strateg

November 29, 2015, 08:15 AM

https://www.aotg.com/joe-walker-on-using-very-different-tension-strateg/

For Joe Walker, editing “Sicario,” Denis Villeneuve's hit thriller about the ever-growing war on drugs at the U.S./Mexican border, presented opportunities for creative ways of working. “My strategy was really just to enjoy these dailies that I was getting from Roger Deakins, and just be really rhythmic and muscular about it,” he explains as he chats via webcam from his editing suite (watch below).