To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Latest V-Ray for Maya Gets New Hybrid Rendering
September 13, 2017, 11:42 AM
http://lesterbanks.com/2017/09/latest-v-ray-maya-g...
The Chaos Group Releases V-Ray 3.6 For Maya, With Hybrid Rendering With Improved Output for Compositing The Chaos Group released an update to V-Ray for Maya, its workhorse rendering engine. V-Ray 3.6 brings a new The Post Latest V-Ray for Maya Gets New Hybrid Rendering originally appeared and published on %%BLOGLINK%,by lesterbanks
Adobe Sets Expanded Immersive Video Features for P
September 13, 2017, 11:42 AM
http://www.studiodaily.com/2017/09/adobe-sets-expa...
In advance of IBC, Adobe announced new features coming to its Creative Cloud video applications, including the release of Team Projects, new VR support in Premiere Pro and, at last, Character Animator v1.0. 360-degree video creation in Premiere Pro should be easier now that Adobe has introduced a way for users to keep working using […] The post Adobe Sets Expanded Immersive Video Features for Premiere Pro appeared first on Studio Daily.
Easy Silhouette Design With 3D-Coat
September 13, 2017, 11:41 AM
http://lesterbanks.com/2017/09/easy-silhouette-des...
Hard Surface Modeler Anton Tenitsky Offers Tips and Tricks for Working With 3D-Coat and Flat Shading Mode for Easy Silhouette Design 3D Artist and hard surface modeler, Anton Tenitsky is mentor at the CG Spectrum The Post Easy Silhouette Design With 3D-Coat originally appeared and published on %%BLOGLINK%,by lesterbanks
What’s Next: New Features & Faster Workflows Com
September 13, 2017, 11:40 AM
http://blogs.adobe.com/creativecloud/whats-next-ne...
The upcoming release of Adobe Audition CC is about CREATING TIME. Giving creators more time to work creatively, saving time from repetitive tasks, and working with time in new ways. Let me give you a brief look at what you’ll see later this year. Auto-Ducking One of the more time-consuming tasks editors face when mixing sound is ensuring the different elements of a timeline blend together well and don’t interfere with each other. Usually this means making sure the volume of backgroun...
After Effects improves efficiency of motion graphi
September 13, 2017, 11:40 AM
http://blogs.adobe.com/creativecloud/after-effects...
The next version of After Effects CC is full of features to supercharge your workflow and help you create sophisticated animation and motion graphics more quickly and easily. Feature highlights Data-driven animation Easily create motion graphics powered by data sources. Import JSON data files as footage, and use them to drive infographics, build multiple versions of the same design, or visualize motion capture and sensor data. Third-party partners who generate time-based data can write ...
What’s Coming for Premiere Pro CC
September 13, 2017, 11:40 AM
http://blogs.adobe.com/creativecloud/whats-coming-...
It’s that time of year again! We’re thrilled to be revealing what’s coming next to our professional video and audio desktop applications, with new features for Adobe Premiere Pro CC, Adobe Audition CC, Adobe After Effects CC, and Adobe Character Animator CC. All of these new releases will be available to Creative Cloud members later this year. If you’ll be at the upcoming IBC Show in Amsterdam, join us at the Adobe booth (7.G27 in the RAI Amsterdam Convention Center) to see these ne...
Sony Imageworks’ VFX work on Spider-Man: Homecom
September 13, 2017, 11:40 AM
http://postperspective.com/sony-imageworks-vfx-wor...
By Daniel Restuccio With Sony’s Spider-Man: Homecoming getting ready to release digitally on September 26 and on 4K Ultra HD/Blu-ray, Blu-ray 3D, Blu-ray and DVD on October 17, we thought this was a great opportunity to talk about some of the film’s VFX. Sony Imageworks has worked on every single Spider-Man movie in some capacity since the 2002 Sam Raimi version. Continue reading → September 13, 2017 The post Sony Imageworks’ VFX work on Spider-Man: Homecoming appeared first on R...
Fake Cloth Animation in After Effects With a Simpl
September 13, 2017, 11:40 AM
http://lesterbanks.com/2017/09/fake-cloth-animatio...
Daniel Gies Shares Techniques for Automatic Follow-Through or Secondary Motion in Ae, Perfect for Cloth Animation Animator and Filmmaker Daniel Gies shows his method for rigging up a fake cloth animation or a secondary motion The Post Fake Cloth Animation in After Effects With a Simple Expression originally appeared and published on %%BLOGLINK%,by lesterbanks
RED IPP2 Workflows
September 13, 2017, 11:39 AM
http://www.doddlenews.com/news-room/red-ipp2-workf...
In this article, I’m going to get in and scratch the surface of RED’s new IPP2 workflow. The first thing that’s important to understand, especially if you’re new to RED’s cameras, is what exactly does IPP stand for? IPP is RED’s Image Processing Pipeline, which will help guide you and your image from when it hits the sensor, to when you see the final product on screen. What RED is doing with the move to IPP2 is to separate the technical process from the creative process, as well as i...
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