To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

How To Use Arnold’s Color Jitter Shader to Rando

September 10, 2017, 07:02 AM

http://lesterbanks.com/2017/09/arnold-color-jitter...

Mograph Plus Shares a Look Into Using Arnold’s Color Jitter to Randomly Apply Colors to C4D Objects and Polygons Mograph Plus excerpts from the “The Ultimate Introduction to Arnold 5 for Cinema 4D” course they The Post How To Use Arnold’s Color Jitter Shader to Randomize Color in C4D originally appeared and published on %%BLOGLINK%,by lesterbanks

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3 Different Types of LUTs That Filmmakers Use

September 10, 2017, 07:01 AM

http://nofilmschool.com/2017/09/3-different-types-...

LUTs are an essential tool for any filmmaker. They can make your images more stylish, rich, and dynamic while making the process of color grading a whole lot easier to navigate. This aesthetic purpose is typically what a lot of new filmmakers think about when they think about LUTs, but these color tools can actually do a lot more than that. In this video, Ted Sim from Aputure lays out the different kinds of LUTs filmmakers use as well how they use them on and off set.

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Santa Monica CA – LAPPG: Learn About Rights and

September 9, 2017, 06:47 AM

http://feedproxy.google.com/~r/industryhappenings/...

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Designing to Noir: An interview with Mike Forst an

September 9, 2017, 06:47 AM

http://designingsound.org/2017/09/designing-to-noi...

As the capabilities of technology expand, we are seeing a migration of the methods in which people consume their entertainment. The once standard form for our generation, linear multimedia, has exploded into a multitude of niche markets. From in-home chatbots or consumer grade robots to VR, AR, and MR, people are finding new ways to […]

0 0 0 Blog
The Third Floor: previs/postvis for Wonder Woman

September 9, 2017, 06:47 AM

http://postperspective.com/third-floor-previspostv...

To help realize the cinematic world of Warner Bros.’s Wonder Woman, artists at The Third Floor London, led by Vincent Aupetit, visualized key scenes using previs and postvis. Work spanned nearly two years, as the team collaborated with director Patty Jenkins and visual effects supervisor Bill Westenhofer to map out key action and visual effects scenes. Continue reading → September 8, 2017 The post The Third Floor: previs/postvis for Wonder Woman appeared first on Randi Altman's postPe...

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Watching crews manhandle hard drives like

September 9, 2017, 06:47 AM

http://renderplease.com/post/165118673590

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Blackmagic Design Announces DaVinci Resolve 14 is

September 8, 2017, 12:47 PM

http://lappg.com/blackmagic-design-announces-davin...

Massive update to Hollywood’s fastest growing professional editor features up to 10x better performance, Fairlight digital audio, multi user collaboration tools and hundreds of new features!     Fremont, CA – September 7, 2017 – Blackmagic Design today announced that the final release of DaVinci Resolve 14, its professional editing, color correction and digital audio software, […] The post Blackmagic Design Announces DaVinci Resolve 14 is Now Shipping appeared first on lappg.

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Collage, découpe et sur-impression à Arles

September 8, 2017, 12:47 PM

https://journaldunemonteuse.wordpress.com/2017/09/...

« L’art du montage » aux rencontres de la photo d’Arles… Le choix de la monteuse :)) Classé dans:Métier monteuse

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News: Paul Virostek’s Field Recording Mic Specs

September 8, 2017, 12:46 PM

http://designingsound.org/2017/09/news-paul-virost...

Isn’t there a better way? You’ve probably had this thought after searching countless hours, eyes bloodshot, online for the perfect mic that fits your situation. Paul Virostek had this thought, too—and in his proactive and resourceful nature (see his metadata app roundup and Sound Effects Search), he released a specs guide that compares the popular […]

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Use Camera Projections to Easily Apply Labels With

September 8, 2017, 12:46 PM

http://lesterbanks.com/2017/09/camera-projections-...

Camera Projections Can Be a Fast Way to Apply a Label to Certain Objects in Cinema 4D Looking for a fast way to apply labels to models in Cinema 4D when you are using Arnold? The Post Use Camera Projections to Easily Apply Labels With Arnold in C4D originally appeared and published on %%BLOGLINK%,by lesterbanks

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