It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
August 14, 2017, 08:58 AM
http://lesterbanks.com/2017/08/working-redshifts-n...
Watch 3D Artist Saul Espinosa cover some of the new nodes including triPlanar, that accompanied the latest release of Redshift. Version 2.5 added things like a Redshift RenderView, and MacOS support. It also added a The Post Working With Redshift’s New TriPlanar Node originally appeared and published on %%BLOGLINK%,by lesterbanks
August 14, 2017, 06:30 AM
https://www.premiumbeat.com/blog/apply-animation-p...
Learn how to browse and apply animation presets in Adobe After Effects with in a few simple steps with this video tutorial.
August 14, 2017, 06:30 AM
https://www.premiumbeat.com/blog/add-subtext-story...
Hayao Miyazaki is a master at adding subtext to his storylines by exploring issues of personal importance. Energize your next project with his technique.
August 14, 2017, 06:29 AM
https://labs.chaosgroup.com/index.php/digital-huma...
Recorded live at V-Ray Days @ SIGGRAPH 2017, this podcast unites host Chris with previous guests, and Wikihuman members, Mike Seymour (FXGuide) and Jay Busch (Google). If you attended SIGGRAPH, you’ll know that the virtual representation of Mike – aka Meet Mike – was a star of the convention, and this podcast delves into the trials and tribulations of his creation.
August 14, 2017, 06:29 AM
http://www.audiomediainternational.com/show-news/p...
Audio Media International has announced the last call to receive entries for its Rising Star accolade at the 2017 Pro Sound Awards, as the hunt for the next pro audio up-and-comer continues.
August 13, 2017, 04:08 PM
https://editstock.com/blogs/all/interview-with-mat...
Interview with Matt McKinnon, Editor Of The BoxerMore
August 13, 2017, 04:08 PM
https://www.provideocoalition.com/AOTC-Berenbaum
Michael Berenbaum, ACE won two Emmys and two Eddies for Best editing for Desperate Housewives and Sex and the City. His work also includes editing both Sex and the City movies, and other TV series including The Wire, Nurse Jackie, The Americans and Marco Polo. Art of the Cut interviewed Berenbaum before he spoke at the Manhatten Edit Workshop’s Sight, Sound and Story post-production event.
August 13, 2017, 05:26 AM
http://www.hollywoodreporter.com/behind-screen/edi...
Richard Chew—an Oscar winner for editing 1977’s Star Wars with Paul Hirsch and Marcia Lucas—believes Hollywood still has “a long way to go” in telling more diverse stories.
August 13, 2017, 05:26 AM
http://nofilmschool.com/2017/08/how-create-long-ex...
One of the first still camera "tricks" you learn as a photographer is how to create light trails using long exposures. All you do is crank up your shutter speed to five or six seconds (or whatever works), adjust your aperture accordingly, and boom, you've got some nice light trails streaking all along some random freeway. But can you achieve the same effect with video? Totally, but you'll need to head into post to do it.
August 12, 2017, 03:02 PM
https://digitalfilms.wordpress.com/2017/08/12/luma...
As Apple’s iOS platform becomes more powerful, applications for it begin to rival the power and complexity of desktop software. LumaFusion is a recently introduced nonlinear video editing product from Luma Touch. Its founders created the Avid/Pinnacle/Corel iOS NLE, but LumaFusion takes a fresh approach. Luma Touch currently offers three iOS products: LumaClip (a single-clip […]
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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