To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Sometimes a reframing…

September 1, 2015, 11:15 AM

http://www.davidbordwell.net/blog/2015/09/01/somet...

Side Street (1949). DB here: …just knocks you out. “It can only be fully recommended to those who have a deep and morbid interest in crime.” Snooty judgments like this made Bosley Crowther the critical joke of generations. Today film lovers wear their deep and morbid interest in crime as a badge of honor. Especially […]

Seagate Delivers Industry's Broadest Portfolio

September 1, 2015, 11:12 AM

http://www.legitreviews.com/seagate-delivers-new-8...

New Enterprise Capacity 3.5, Enterprise NAS and Kinetic HDDs Reach New Highs in Capacity, Reliability, and Lower Total Cost of Ownership for Multiple Market Segments...

Your Survival Guide to Hellish Clients

September 1, 2015, 04:40 AM

http://www.commandeditpodcast.com/blog/your-surviv...

This episode is a little something Josh and I have been working on that we like to call: The Survival Guide to Hellish Clients.

Media Composer 101 - ADVANCED - Archiving Your Pro

September 1, 2015, 04:39 AM

http://www.provideocoalition.com/media-composer-10...

In this lesson, Kevin P McAuliffe shows you how to archive your project using only the included tools in Avid Media Composer.

*Herramientas de montaje* por Miguel Pérez (SAE)

September 1, 2015, 04:39 AM

http://saeditores.org/Novedades/Herramientas-de-mo...

En el marco del Mercado de Industrias Culturales Argentinas, MICA, el viernes 4 de septiembre a las 15 horas, Miguel Pérez (SAE) brindará la charla Herramientas de montaje. Organizada por la SAE, la charla tendrá lugar en Centro Cultural Kirchner (Sarmiento 151, CABA), en el auditorio 612 del piso 6, con entrada libre y gratuita.

Next-Generation-Imaging, Higher Spatial Resolution

September 1, 2015, 04:37 AM

https://www.aotg.com/next-generation-imaging-higher-spatial-resolution/

A look at 4K and the different ways to acquire in 4K. A must see for those who know that 4K will be in their future but who are not sure what it means for them today. Or if it should mean anything.

Shane Ross shows Avid Media Composer version 8.4'

August 31, 2015, 05:09 AM

https://www.aotg.com/shane-ross-shows-avid-media-composer-version-8-4/

We welcomed Hollywood editor Shane Ross who showed off the latest version of Avid Media Composer. Hosted by Michael Horton.

*Indio*, por César Custodio (SAE)

August 31, 2015, 05:08 AM

http://saeditores.org/Novedades/Indio-por-Cesar-Cu...

Una síntesis personal de la edición por sus artífices.

European Film Industry Focuses on Twin Threats

August 31, 2015, 05:07 AM

http://variety.com/2015/digital/global/european-fi...

Is Netflix the enemy for European film industry folk? You could be forgiven for thinking so after attending a debate on production staged by the Sarajevo Film Festival’s industry program, CineLink, earlier this month.

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