It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
July 25, 2017, 04:35 PM
http://www.btlnews.com/community/77949/
The California based Picture Shop has added award-winning team Christian Cardona & Buddy Gheen to their rapidly expanding VFX department. Cardona will join the ranks as senior VFX supervisor alongside recently promoted VP/senior VFX supervisor Adam Avitabile. Gheen will be joining the department as a creative director of VFX. All will be reporting to executive […] The post Picture Shop Expands VFX Talent Pool appeared first on Below the Line.
July 25, 2017, 04:35 PM
http://www.studiodaily.com/2017/07/glow-film-look-...
The new Netflix hit series GLOW straddles a fine visual line. The show’s hook is a promotional gimmick dating back to the mid-1980s, when a maverick World Wrestling Association promoter moved to Hollywood and established an all-woman organization called Gorgeous Ladies of Wrestling, or GLOW for short. The setting demands a period look and feel — but […] The post Light Iron Colorist Ian Vertovec on GLOW and Getting a Mid-80s Film Look in HDR appeared first on Studio Daily.
July 25, 2017, 04:35 PM
http://www.animationmagazine.net/people/vfx-supes-...
Burbank, CA visual post house Picture Shop is propping up its rapidly growing VFX department with the addition of award-winning team Christian Cardona and Buddy Gheen. Cardona joins the ranks as Senior VFX Supervisor, alongside recently promoted VP/Senior VFX Supervisor Adam Avitabile. Gheen comes aboard as Creative Director of VFX. They will be reporting to Executive Vice President of VFX, Tom Kendall.
July 25, 2017, 01:35 PM
https://www.aotg.com/davinci-resolve-studio-grades-sharon-stones-film/
Blackmagic Design today announced that Mark Todd Osborne, founder and senior digital colorist of MTO Color Inc., conformed, graded and finished the new independent film “A Little Something for Your Birthday” using a DaVinci Resolve Mini Panel alongside DaVinci Resolve Studio.
#color grading#post production#color correction#finishing#conformJuly 25, 2017, 12:51 PM
http://renderplease.com/post/163410586845
July 25, 2017, 12:50 PM
http://lesterbanks.com/2017/07/carving-car-rim-har...
Pux’s Hard Mesh plugin for Maya offers fast hard surface modeling working with booleans in a super-flexible way. With it, you can easily combine objects or choose between various boolean-type of operations. This lets you The Post Carving Out a Car Rim With Hard Mesh in Maya originally appeared and published on %%BLOGLINK%,by lesterbanks
July 25, 2017, 12:50 PM
http://nofilmschool.com/2017/07/new-rode-videomic-...
RØDE has proven itself time and time again to be a filmmaker-friendly company with its generous My RØDE Reel short film competition prize packages and continual improvements on affordable filmmaking tools. The VideoMic Pro+, announced today, looks to be a continuation of this trend, adding some useful features to its already popular VideoMic Pro.
July 25, 2017, 12:50 PM
http://www.cartoonbrew.com/ideas-commentary/katzen...
The post-Dreamworks Animation career of Jeffrey Katzenberg officially launched last week with a cover story in Variety touting grand plans for his short-form mobile/web video company WndrCo.
July 25, 2017, 12:50 PM
https://filmschoolrejects.com/brief-history-cartoo...
The highly anticipated official Season 3 run for Rick and Morty begins this Sunday, and with that in mind, the question of when animated TV shows geared toward adults took off in popularity came to mind as well. Of course, it can always be argued that people of all ages can enjoy TV cartoons, even if they are directed toward children. However, it seems in the past couple of decades a rich collection of “adult” animated TV series has been established, and that trend seems it will only continu...
July 25, 2017, 09:12 AM
http://www.postmagazine.com/Press-Center/Daily-New...
UNIVERSAL CITY, CA — EditFest, the day-long celebration of the art and craft of editing, returns to the Frank Wells Theater at Walt Disney Studios on August 12th. Presented by American Cinema Editors (ACE), EditFest 2017 presents top-level film and television editors, who share their experiences and insights. The event will feature panels, clips, and conversation, and offers attendees an opportunity to engage with panelists and colleagues throughout the day.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.